Category : Exhibits – New York City

thumbnail Nov 4

LUIS CRUZ AZACETA: Swimming to Havana, at Lyle O. Reitzel Gallery, New York

November 5 – December 30, 2016

Opening Reception: Saturday, November 5, 2016, 7 p.m.–9 p.m.

Lyle O. Reitzel
139 Eldridge Street
New York, NY 10002, USA

 

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thumbnail Oct 10

Carmen Herrera: Lines of Sight, at the Whitney Museum of American Art, NY

Sept 16, 2016–Jan 2, 2017

Whitney Museum of American Art
99 Gansevoort Street
New York, NY 10014

Carmen Herrera: Lines of Sight is the first museum exhibition of this groundbreaking artist in New York City in nearly two decades. Focusing on the years 1948 to 1978, the period during which Herrera developed her signature style, the show features more than fifty works, including paintings, three-dimensional works, and works on paper. It begins with the formative period following World War II, when Herrera lived in Paris and experimented with different modes of abstraction before establishing the visual language that she would explore with great nuance for the succeeding five decades. Many of these works have never been displayed before in a museum.

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thumbnail Jul 17

Emilio Pérez in group show “Nature Pops!”, at Wave Hill, Bronx, NY

July 12 – September 5, 2016

Exhibition Reception: Sunday, July 17, 2‒4:30 PM

Wave Hill
West 249th Street and Independence Avenue (Front Gate)  
Bronx, NY 10471-2899

A half-century after the emergence of Pop art as a revolutionary response to new norms of consumerism, Nature Pops!, Wave Hill’s summer 2016 exhibition, brings together work by artists who calibrate this movement in contemporary terms. Continuing to re-evaluate popular culture, particularly the increasing mediation of our experience by technology, artists question whether we can still have an authentic experience―even in the natural world. Interpreting nature and the environment through a populist lens, Nature Pops! includes recent work that is especially relevant in an age of digital overload and environmental crisis. Presenting the show at Wave Hill, a stunning garden and cultural center located in the Riverdale section of the Bronx, adds particular depth and dimension to the discussion.

Image: Space Face (F1/S3), 2014, Unique screen prints with original hand-cut stencil drawing, 28 1/2” x 23 1/2” each. Courtesy of the artist.

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thumbnail Jul 7

Ariel Cabrera in group show “EMERGING TO ESTABLISHED – Year 5”, at Krause Gallery, New York

July 9th – Aug 31st 2016

Reception: July 9th – 6-8pm

Krause Gallery 
149 Orchard St. south 
NY, NY 10002

Krause Gallery will give new and emerging artists the opportunity to show in a gallery setting as well as display the new work by the galleries established artists.

“We are encouraging all artists to explore a creative approach with their new works”. The exhibiting artists range from national to international with a broad range of mediums. From Ben Frosts satirical jab at consumerism to Hanksy’s tongue and cheek puns, “Emerging to Established” plans to capture a snapshot of the current contemporary art scene.

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thumbnail Apr 27

José Bedia: Tribal Affinities, at Tambaran Gallery, NY

April 30 – May 28, 2016

Opening: Saturday, April 30 – 4pm to 9pm

Tambaran Gallery
5E 82nd St,
New York, NY

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thumbnail Mar 27

Elio Rodríguez: Puzzled, at 532 Gallery Thomas Jaeckel, NYC

April 1 – May 9, 2016

Reception: March 31st, 6-8pm

532 Gallery Thomas Jaeckel
532 West 25th Street
New York, NY 10001
 

Join us next week at 532 Gallery Thomas Jaeckel for the opening reception of Puzzled, Elio Rodriguez’ first solo exhibition in New York City.  The show is on view until May 9th and will coincide with his exhibition On Guard at Harvard University’s Hutchins Center for Afro-Latin Studies and at our gallery’s booth at Context Art New York at Pier 94, May 4-8, 2016.

On view in Chelsea will be the artist’s large scale soft sculptures and the photography based collage works at Hutchins Center, Cambridge.

Elio experiments with the construction of the intimacy of interior and exterior spaces, all things carnal and decorative, functional and artistic, manufactured and native.  His soft sculptures reimagine familiar forms using, in abundant measure, plant and carnal shapes, juxtaposed against sundry objects, metal screws, lace corsets, chains, belts, wire, filament, pins — with results that are pictorial equivalents of familiar concepts and concerns.

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thumbnail Mar 19

MERGING ROADS: Ernesto Briel and Cepp Selgas, at Jadite Galleries, NY

March 16 – 30, 2016

Opening Reception: Thursday, March 17 @ 6pm.

Jadite Galleries
413W 50th St.
New York, NY 10019

 

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thumbnail Feb 29

HERNAN BAS: Bright Young Things, at Lehman Maupin Gallery, NY

March 10 – April 23, 2016

Opening Reception: Thursday, March 10 6-10pm

Lehman Maupin
536 W 22nd Street
New York                            

New York, February 16, 2016—Lehmann Maupin is pleased to present Hernan Bas’ Bright Young Things, the artist’s fourth solo exhibition with the gallery, featuring new paintings on canvas and paper.  Bas draws from a pool of references found in art, poetry, religion, mythology, film, and literature. In this recent series, he turns his attention specifically to 1920s London, and a group of young, bohemian aristocrats that emerged post-World War I. The artist will be present for an opening reception at the gallery on Thursday, March 10 from 6-8 PM.

 

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thumbnail Feb 29

GLADYS TRIANA’S ‘REFLECTIONS OF SHADOWS’ at Cervantes Institute, NY

Opening and Reception: Thursday, March 3, 2016 @ 7 pm

March 3 – 18, 2016

The opening reception will feature a special commentary by the distinguished curator and art historian Ricardo Viera

Instituto Cervantes Gallery
211 E 49th St, NYC

A unique exhibit by internationally acclaimed and multi-faceted Cuban artist Gladys Triana, who during her long career has excelled in painting, sculpture, etching, and photography. This solo exhibit, Reflections of Shadows, includes a video trilogy, as well as a selection of four of her photography series since 2008.

Throughout her artistic trajectory, Triana has continuously renewed and reinvented her language, particularly through photography, as a means of expression and reflection on the human condition. In her photography, the artist transforms small objects from daily life into irreconcilable sculptured shapes, creating an iconography that speaks eloquently about our fragile surroundings in our journey through this world.

Co-organized by Instituto Cervantes and Cuban Cultural Center

Presented with the support of Cuba Art NY

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thumbnail Feb 14

GEANDY PAVON’S ‘THE CUBAN AMERICANS’, at the Instituto Cervantes, NYC

February 4 – February 20, 2016

Opening and Reception: Thursday, February 4, 2016 at 7 pm

INSTITUTO CERVANTES GALLERY
211 E 49th St, NYC
 

The Cuban-Americans, a solo photo exhibit by Geandy Pavón, one of the most critically acclaimed Cuban-American artists of his generation, opens a month-long program of Cuban culture events at Manhattan’s Cervantes Institute. For this series, Pavón follows in the tradition of Robert Frank, whose seminal book, The Americans, unveiled a more nuanced and certainly less congratulatory view of American society.

The opening reception will feature a special commentary by the distinguished curator and art historian Alejandro Anreus. 

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thumbnail Jan 29

Ana Mendieta: Experimental and Interactive Films, at Galerie Lelong, NY

February 5 – March 26, 2016

Opening reception: Friday, February 5, 6-8pm

Galerie Lelong
528 West 26th Street
New York, NY 10001
 

Ana Mendieta: Experimental and Interactive Films is the first full-scale gallery exhibition dedicated to Mendieta’s filmworks in New York. Revealing aspects of Mendieta’s practice that are not as widely known as her ritualistic investigations of body and landscape, the exhibition demonstrates Mendieta’s technical innovations and her singular approach to the medium. The fifteen filmworks comprising the exhibition—nine of which have never been seen before—are newly transferred from their original media to digital formats. These transfers reveal detail and a vibrancy of color and contrast, while preserving these critical works for future generations.

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thumbnail Dec 20

Esteban Blanco, Jose Ney, Antonio Nuñez and Geandy Pavón: Cardinal Points, at Galleria Ca’ d’Oro, New York

November 25th, 2015 – January 16th, 2016

Galleria Ca’ d’Oro New York
529 West 20th street, 9th floor,
New York, NY 10011 

Group show curated by Vicky Romay and Frances Sinkowitsch

“Cardinal Points” features Cuban artists Esteban Blanco, Jose Ney, Antonio Nuñez and Geandy Pavón. What has stayed in the past and drags the agonizing transit of time, the search of what has been forgotten and the eagerness to confront new experiences, risking the unpredictable has been the motive of the expression and sensibility of the human being under the kaleidoscope of art.

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thumbnail Jun 20

Anthony Goicolea group exhibition at the Magnan Metz Gallery, New York

June 18 – August 7, 2015

Magnan Metz Gallery 
521 West 26th Street,
New York, NY 10001

A Weekend in the Country

Curated by Paul Laster

Magnan Metz Gallery is proud to announce the opening of A Weekend in the Country, a group exhibition of contemporary artists Jude Broughan​, Ernesto Caivano, Anthony Goicolea​, Ellen Harvey​, Jason Middlebrook​, Donna Moylan​ and Spencer Tunick​, curated by Paul Laster.

Together, these artists explore a dialogue between landscape and abstraction.

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thumbnail May 1

Carlos Martiel’s “Ascensión”, at MAAS/Mandragoras Art Space, New York

May 16, 2015

MAAS | Mandragoras Art Space
3601 36 Ave. 3rd. Fl
Long Island City, NY 11106

MAAS | Mandragoras Art Space is proud to open its 2015 Programming presenting Cuban artist Carlos Martiel, on his first solo performance in New York City.

Where is the line that divides a hero from a murderer?

“Ascención” questions the perception of heroism as dependent on the use of power in matters of political conflict and world peace. Martiel bases his critique on the military system, where heroism is grounded on rank and rivalry, and that vindicates authoritarianism and the sacrifice of life for the common good.

In his piece, the artist creates a compelling situation where the audience is able to experience the consequences of patriotism and hierarchy. The problem of violence and power is a constant on Martiel’s discourse. On this occasion, it questions those at the forefront of the arms race, promoting themselves as peacemakers, but ultimately enforcing a world of dominance.

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thumbnail Mar 22

Felix Gonzalez-Torres at the Great Hall Exhibitions series- Institute of Fine Arts, New York University.

March 30 – May 1, 2015

Opening Reception: March 30, 2015, from 6:00 to 7:30 PM.

Institute of Fine Arts
The James B. Duke House
1 East 78th Street
New York, New York 10075

An installation of two artworks by Felix Gonzalez-Torres will be featured this spring as part of the Great Hall Exhibitions series at the Institute of Fine Arts, New York University. Organized by Katharine J. Wright and Susanna V. Temkin, this installation pairs two works encompassing different media and conceptual practices that speak to major themes in the artist’s oeuvre. The manifestable candy piece “Untitled (Placebo-Landscape-for Roni)”, 1993 and the static photographic work “Untitled” (Natural History), 1990 offer a point of access into overarching strategies that the artist employed throughout the course of his career. The two works will be on view daily, 1:00 to 4:00 PM, from March 30 – May 1, 2015.


This installation was made possible by the generous support of Eileen and Michael Cohen
.

Great Hall Exhibitions

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thumbnail Mar 1

Pavel Acosta in group show “In Praise of Folly”, at the New York Art Residency & Studios Foundation, New York

February 27 – March 25, 2015

NARS Foundation
201 46th Street, 4th Floor
Brooklyn, NY 11220

The New York Art Residency & Studios (NARS) Foundation is pleased to present a group exhibition In Praise of Folly, curated by Jin Y. Hwang Coleman and including work by Pavel Acosta, Hong Seon Jang, Marc Oosting, Lior Shvil, and Ghost of a Dream. In Praise of Folly, inspired by the famous book of the same title by Desiderious Erasmus, focuses on the works by artists who challenge our belief system and dogma in a satirical, humorous and witty way.

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thumbnail Jan 4

Luis Mallo: Interruptions, at Praxis International – New York

Opening reception: Thursday, Jan. 8, 2015   6-8 pm

Jan. 8 – Feb. 21, 2015

Praxis New York
541 West 25th Street,
New York, NY
 

Luis Mallo presents in this exhibition a group of visually arresting images meant to stimulate us to question notions of familiarity. With this series Mallo wants us to understand that the manner in which we perceive our surroundings is contingent by nature. Most of what we see and experience is illusory and therefore, deceptive. His scenes reveal this illusory nature by offering partially concealed and most often perplexing representations of the surrounding landscape and its various props.

For Mallo, Interruptions is not an outcome, but a vital process, a way of looking that may offer a fresh perspective. As previously done with other series, he invites us to look deeper and unearth that which lies latently waiting to be discovered under the veil of familiarity.

 

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thumbnail Dec 7

Abelardo Morell: Some Recent Pictures at Edwynn Houk Gallery, New York

Through Dec. 20 

Edwynn Houk Gallery
745 Fifth Ave.
New York, NY 10151

Edwynn Houk Gallery is pleased to present a solo exhibition of new work by Abelardo Morell (American, b. Havana, 1948). Following his inaugural exhibition in 2013 with Galerie Edwynn Houk in Zurich, this show marks the artist’s first exhibition at Edwynn Houk Gallery in New York. The sixteen large-scale photographs on view will highlight the scope of Morell’s most recent subjects and his continued experiments with perception.

Reveling in the expectations of the photographic process, Morell’s work is charged with discoveries concerning optics, aperture, exposure, and most notably, camera obscura. Since 1991, Morell has been using the camera obscura to effectively turn entire rooms into cameras: the outside world is transposed onto the interior, creating unexpected and often surreal imagery.

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thumbnail Nov 2

Abelardo Morell: Some Recent Pictures at Edwynn Houk Gallery, NY

October 23 – December 20, 2014

Edwynn Houk Gallery

745 Fifth Avenue, 4th floor
New York, NY 10151

Edwynn Houk Gallery is pleased to present a solo exhibition of new work by Abelardo Morell (American, b. Havana, 1948). Following his inaugural exhibition in 2013 with Galerie Edwynn Houk in Zurich, this show marks the artist’s first exhibition at Edwynn Houk Gallery in New York. The sixteen large-scale photographs on view will highlight the scope of Morell’s most recent subjects and his continued experiments with perception.

Reveling in the expectations of the photographic process, Morell’s work is charged with discoveries concerning optics, aperture, exposure, and most notably, camera obscura. Since 1991, Morell has been using the camera obscura to effectively turn entire rooms into cameras: the outside world is transposed onto the interior, creating unexpected and often surreal imagery. In Camera Obscura: Late Afternoon View of The East Side of Midtown Manhattan, 2014 (pictured), the New York City skyline floats over two mysteriously lit doors and the two worlds are flattened into one imaginary place.

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thumbnail Sep 14

Allora & Calzadilla: Fault Lines, at Gladstone Gallery, Chelsea, NY

September 13 – October 11, 2014

 

Gladstone Gallery
515 West 24th Street
New York, NY 10011
 

Gladstone Gallery is pleased to present a solo exhibition by Allora & Calzadilla. Fault Lines will explore the overlapping mechanics of polyphonic vocal texturing, geological and sculptural displacements, and adversarial rhetorical language in a new performance-based work, featuring an original composition by Guarionex Morales-Matos. The work will feature performances by young male vocalists from the American Boychoir School and the Transfiguration Boychoir. The performances will take place on the hour Tuesday through Friday from 1 – 5 pm with an additional performance at 5:30 pm, and Saturdays hourly from 12:30 – 5:30 pm.

Fault Lines
 consists of a group of ten stone sculptures whose formal vocabulary derives from geological faults – fractures or discontinuities in the Earth’s crust – and choral risers, a set of tall and wide steps used for standing while singing. While the mineral composition of the rocks in Fault Lines took millions of years to assemble, cutting, removing, and displacing sections of their hardened mass has caused an instant and ever-lasting rupture in geological time. The resulting sculptural permutations function as choral risers, which are dispersed throughout the exhibition space and used by two boy sopranos, or trebles, to engage in a verbal duel.

 

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thumbnail Sep 14

IN MEDIAS RES José Parlá at Bryce Wolkowitz Gallery, Chelsea, NY

September 12 – October 18, 2014

Bryce Wolkowitz Gallery
505 West 24th Street
New York, New York 10011

IN MEDIAS RES is a chronicle of Parlá’s life, beginning with his childhood and including his extensive travels around the world. Through choreographed, painterly works, the artist creates impressions of life-altering moments that have impacted his art making process.

The artist’s distinctive method of conceptual and abstract storytelling unfolds and insists on its own vivid layers. The material densities of the works infuse the imagery with a sense of visual narration. Parlá’s paintings exist somewhere between transcription and revelation – the accumulation of words, signs and markings evolve into a complex and unpredictable symphony. Time is very much at stake, and each image is an effort to demarcate the passing of time.

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thumbnail Sep 1

Alexandre Arrechea: The Map and The Fact at Magnan Metz Gallery, New York

September 13 – October 11, 2014

Artist Reception: Friday, September 12th 6-8 PM

Magnan Metz Gallery
521 West 26th Street,
New York, NY 10001

Magnan Metz Gallery is pleased to present the fifth solo exhibition for Alexandre Arrechea. The show will be on view from September 13 – October 11, 2014 with a reception for the artist from 6-8 pm on Friday, September 12th.

The often overlooked study and its relationship to the realized artwork have always been of significant importance to Alexandre Arrechea. The two co-existed in the same space; it’s the methodology that shows the natural process in creating the artwork. Traditionally the first stands as the matrix of the second. For this exhibition, however, Arrechea has turned the tables. The artist explains, “With The Map and the Fact I intend to rearrange this relationship with the objective to ask questions of our reality so the drawing in this project becomes a structure closer to the language of a map or a graphical representation of a given ‘territory’. The object is related to this simply through the construction of a section of that map.”

 

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thumbnail Jun 18

Rolando Pulido, NEW CUBAN POSTER ART: UNVEILING THE UNCONSCIONABLE, at M. Castedo Gallery, NY

 

Friday, June 20, 2014, 6 pm to 9 pm

M. Castedo Gallery
29 West 36th Street, NYC
10th Floor

FREE ADMISSION

RSVP at:  cccofny@aol.com

A unique exhibit of contemporary Cuban poster art by one of its leading exponents, Rolando Pulido, who has selflessly dedicated his talent to support the burgeoning civic resistance movement on the Island. Although within the stylistic continuum of the anti-capitalist poster art that emerged during the first decade of the Cuban revolution—including Alberto Korda’s universally recognized image of Che Guevara—post-revolution poster art, such as Pulido’s, has met a drastically divergent course. The former, as Susan Sontag would point out in her incisive 1970 introduction to “The Art of Revolution,” became a commodity itself. Pulido’s posters, on the other hand, are as technically brilliant and as focused on communication as the best representatives of the genre, yet cannot be defined as coveted consumer art. The distinguished journalist David Rieff will place Pulido’s posters in historical context, addressing the extent to which current cultural trends and renewed political awareness might begin to blot out their marginality.

Award-winning visual artist Rolando Pulido was born and raised in Cienfuegos, Cuba, and has resided in New York City since 1980.

 

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thumbnail Jun 2

Diango Hernandez in group show NEW PAINTINGS, at Alexander and Bonin Gallery, NY

June 3, 2014 – July 25, 2014

Alexander and Bonin
132 Tenth Avenue
New York, NY 10011

Our summer show includes paintings by five gallery artists: Matthew Benedict, Robert Bordo, Diango Hernández, Stefan Kürten and Sylvia Plimack Mangold. Most of the paintings in the exhibition are being exhibited for the first time.

Press Release

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thumbnail Apr 27

Armando Mariño: New Paintings after the Long Winter, at 532 Gallery Thomas Jaeckel, NY

May 6 – June 7, 2014

Vernissage Tuesday, May 6, from 6 – 8pm

532 Gallery Thomas Jaeckel
532 West 25th Street
New York, NY 10001
 
 
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thumbnail Apr 25

Zilia Sánchez “Heróicas Eróticas en Nueva York,” at GALERIE LELONG, New York

May 3, 2014 – June 21, 2014

Opening reception: Friday, May 2, 6-8pm

Galerie Lelong
528 West 26th Street
New York, NY 10001
 

Galerie Lelong is pleased to present its first solo exhibition with Cuban-born artist Zilia Sánchez, Heróicas Eróticas en Nueva York. As a global citizen who has lived in Cuba, Spain, New York, and now Puerto Rico, Sánchez’s hybridized shaped canvases unite the painterly and the sculptural, the formal and the psychological, and the masculine and the feminine. Only the second exhibition of Sánchez’s work in New York in over thirty years, Heróicas Eróticas en Nueva York comprises paintings made in the artist’s signature technique of stretching canvas over hand-molded wooden armatures, and spans fifty years of production. Many of the works on view have never been seen outside of Sánchez’s adopted home of Puerto Rico. The artist will be present for the opening on Friday, May 2 from 6-8pm.

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thumbnail Apr 3

Félix González-Torres and Tomás Sánchez in group show LONE TREE, at Marlborough Chelsea, NY

APRIL 4 – MAY 3, 2014

OPENING RECEPTION: FRIDAY, APRIL 4, 6-8PM

MARLBOROUGH CHELSEA
545 West 25th Street
New York, NY 10001

Marlborough Chelsea is proud to present Lone Tree, a group exhibition of contemporary work inspired by Romanticism, the sublime and in particular the German painter Caspar David Friedrich.

“The artist’s feeling is his law. Genuine feeling can never be contrary to nature; it is always in harmony with her. But another person’s feelings should never be imposed on us as law. Spiritual affinity leads to similarity in work, but such affinity is something entirely different from mimicry.”

– Caspar David Friedrich

We have seen lately a significant resurrection of Romanticism in Contemporary Art. Developed in the late 18th – early 19th century as a reaction to the Industrial Revolution, early Romanticism challenged the pragmatic rationalization of science over the natural world, insisting instead on a philosophy of human emotion, sensitivity, and an expanded imagination of the sublime.
This exhibition is a starting point from which to explore how notions of the spiritual and the magical alongside the sublime and the romantic, have once again, become important as contemporary artists grapple with the rapid developments that are changing the world as we know it, right before our eyes.

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thumbnail Feb 10

Cuban America: An Empire State of Mind at Lehman College Art Gallery, Bronx, NY

February 4 – May 14, 2014

Reception: March 17th, 2014, 6:00 – 8:00 pm

The reception will include a special performance by artist Carmelita Tropicana

Lehman College Art Gallery
250 Bedford Park
Boulevard West
Bronx, N.Y. 10468

Alejandro Aguilera, Jairo Alfonso, Alexandre Arrechea, Tania Bruguera, María Magdalena Campos Pons, Yoán Capote, Los Carpinteros, Luis Cruz Azaceta, Christian Curiel, Alessandra Expósito, Teresita Fernández, Carlos Garaicoa, Anthony Goicolea, María Elena González, Armando Guiller, Luis Mallo, María Martínez Cañas, Abelardo Morel, Gean Moreno & Ernesto Oroza, Glexis Novoa, Geandy Pavón, Emilio Pérez, Javier Piñón, Carlos Rodríguez Cárdenas, Andrés Serrano, & Katarina Wong.

Video program: Juan Carlos Alom, Allora and Calzadilla, Humberto Díaz, Felipe Dulzaides, Luis Gárciga, Tony Labat, Glenda León, and Ana Olema.

Co-curated by Yuneikys Villalonga and Susan Hoeltzel and includes a related Cuban video art program organized by guest curator Meykén Barreto. A series of special programs is conducted by guest curator Elvis Fuentes.

RELATED EVENTS

Panel: In A Material World: Cubans Discuss Their America, moderated by Elvis Fuentes – March 18, 2014 – 6pm
Talk and Tastings: Cuban Cuisine, by a Havana Central Restaurant Chef – May 14, 2014 – 1pm

 

 

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thumbnail Dec 31

Emilio Perez: Footprints on the Ceiling at Galerie Lelong, NY

January 4 – February 1, 2014

Opening reception: Thursday, January 9, 6-8pm

Galerie Lelong
528 West 26th Street
New York, NY 10001

Emilio Perez’s third solo exhibition at Galerie Lelong, Footprints on the Ceiling, will showcase the artist’s unique method of combining painting and drawing in a body of new work that includes a monumental, 40-foot long mural painting, one of the artist’s largest site-specific works to date. The exhibition reveals a departure from previous bodies of work in the use of a richer, more complex color palette, a more distinct figuration, and expanded negative space. Also shown alongside the new paintings will be a triptych from 2011, on view for the first time in New York. The artist will be present for the opening on January 9th from 6-8pm.

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thumbnail Nov 6

Pavel Acosta at Sgorbati Projects, NY

November 7 – December 21, 2013

Sgorbati Projects
525-531 West 26th Street Fourth Floor,
New York, NY

 

Sgorbati Projects is pleased to announce the gallery’s inaugural exhibition with work by Pavel Acosta, Livia Corona, Ignacio Lang and Gabriela Salazar. Each artist, through acts of intervention—theft, documentation, arbitrary appropriation, formal reinterpretation—modify established systems, repurposing these structures for their own intents.

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