thumbnail Mar 15

Wifredo Lam, José Parlá: Imagining New Worlds at High Museum of Art, Atlanta, Georgia

February 14 – May 24, 2015

High Museum of Art
1280 Peachtree Street, N.E.
Atlanta, Georgia 30309

Wifredo Lam, José Parlá, Fahamu Pecou

The exhibition Imagining New Worlds is divided into three parts: a retrospective of the twentieth-century artist Wifredo Lam and responses to Lam’s legacy by contemporary artists José Parlá and Fahamu Pecou.

thumbnail Mar 3

Diango Hernández in group show “Birds, plants and a chair,” Düsseldorf, Germany

March 14 – May 8, 2015
Opening March 13

Kadel Willborn
Birkenstrasse 3
40233 Düsseldorf

Laura Lamiel, Björn Braun, Jürgen Drescher, Diango Hernández, Vajiko Chachkhiani

“Opaque Waters is the title of an installation mainly composed by two objects, both of a familiar nature to us all. At your left hand -if you are standing in front of the gallery wall in which they hang from- there is a stretched fragment of a 1940’s table cloth that has been mounted on a heavy plexiglass, with same measurements, both the table cloth and the plexiglass, give you the impression that ‘something’ is hidden between them. The other object is a Hi-Fi sound amp that hangs from the wall as a picture frame does. In this case the amp is disconnected from the power so it is in silence, its only function is to be the support of a printed image, a digitally generated map of all Atlantic retired hurricanes.” Diango Hernández

thumbnail Mar 1

Pavel Acosta in group show “In Praise of Folly”, at the New York Art Residency & Studios Foundation, New York

February 27 – March 25, 2015

NARS Foundation
201 46th Street, 4th Floor
Brooklyn, NY 11220

The New York Art Residency & Studios (NARS) Foundation is pleased to present a group exhibition In Praise of Folly, curated by Jin Y. Hwang Coleman and including work by Pavel Acosta, Hong Seon Jang, Marc Oosting, Lior Shvil, and Ghost of a Dream. In Praise of Folly, inspired by the famous book of the same title by Desiderious Erasmus, focuses on the works by artists who challenge our belief system and dogma in a satirical, humorous and witty way.

thumbnail Feb 25

Carlos Estevez: Reliquary, at Pan American Art Projects, Miami

March 6 – April 25, 2015

Opening reception: Friday, March 6th, 6-8 pm


Pan American Art Projects
2450 NW 2nd. Ave.
Miami, Fl 33127


thumbnail Jan 4

Luis Mallo: Interruptions, at Praxis International – New York

Opening reception: Thursday, Jan. 8, 2015   6-8 pm

Jan. 8 – Feb. 21, 2015

Praxis New York
541 West 25th Street,
New York, NY

Luis Mallo presents in this exhibition a group of visually arresting images meant to stimulate us to question notions of familiarity. With this series Mallo wants us to understand that the manner in which we perceive our surroundings is contingent by nature. Most of what we see and experience is illusory and therefore, deceptive. His scenes reveal this illusory nature by offering partially concealed and most often perplexing representations of the surrounding landscape and its various props.

For Mallo, Interruptions is not an outcome, but a vital process, a way of looking that may offer a fresh perspective. As previously done with other series, he invites us to look deeper and unearth that which lies latently waiting to be discovered under the veil of familiarity.


thumbnail Dec 7

Abelardo Morell: Some Recent Pictures at Edwynn Houk Gallery, New York

Through Dec. 20 

Edwynn Houk Gallery
745 Fifth Ave.
New York, NY 10151

Edwynn Houk Gallery is pleased to present a solo exhibition of new work by Abelardo Morell (American, b. Havana, 1948). Following his inaugural exhibition in 2013 with Galerie Edwynn Houk in Zurich, this show marks the artist’s first exhibition at Edwynn Houk Gallery in New York. The sixteen large-scale photographs on view will highlight the scope of Morell’s most recent subjects and his continued experiments with perception.

Reveling in the expectations of the photographic process, Morell’s work is charged with discoveries concerning optics, aperture, exposure, and most notably, camera obscura. Since 1991, Morell has been using the camera obscura to effectively turn entire rooms into cameras: the outside world is transposed onto the interior, creating unexpected and often surreal imagery.

thumbnail Nov 29

Teresita Fernández at Almine Rech Gallery, London

November 4- December 20, 2014

Almine Rech Gallery
11 Savile Row, 1st floor,
Mayfair, W1S3PG London


LONDON.- Inspired by the landscape and natural phenomena as well as diverse historical and cultural references, Fernández presents a group of new works for her second exhibition with Almine Rech Gallery that collectively demonstrate her remarkable ability to transform materials into unique perceptual experiences.

This is the artist’s first solo exhibition in London. Fernández’s new Golden paintings, made with India ink on reflective metallic panels, continue the artist’s inquiries into materiality, landscape painting, mining, the connections between the cosmos and the subterranean, and the cultural significance of gold.

The thick, visceral layer of ink marks on top of the mirror-like surface explores painterly conventions of figure-in-the-landscape by superimposing the viewer’s own distorted reflection into the image. Shifting reflections animate the landscape scenes into almost gestural, real-time cinematic dissolves where the viewer becomes engaged in the immersive, experiential quality the work.

Fernández’s intense research and investigation into the materiality of gold and the convention of landscape can also be seen in her large-scale exhibition of sculptures and installations titled As Above So Below, on view at Massachusetts Museum of Contemporary Art, North Adams, Massachusetts through March 2015.


thumbnail Nov 15

Glexis Novoa – Painting on Canvas, at Juan Ruiz Galeria, Miami

Thursday, 16 October, 2014 to Saturday, 22 November, 2014

301 NW 28th Street
Miami, Florida 33127

Painting on Canvas is Cuban artist’s Glexis Novoa’s first solo exhibition at Juan Ruiz Gallery, specifically noteworthy for the following two aspects:  the artist’s revisiting of an early period interrupted by exile in the mid 1990s and the context in which the work was created, Havana, where the artist recently set up a studio after a twenty-year hiatus.  Novoa’s return to the formal qualities of the Etapa Práctica [the Practical Stage] and to the specificity of the Cuban context reveals poignant aspects of contemporary Cuban art today and the artist’s place in it.

thumbnail Nov 15

TRIBUTE: Luis Castaneda, Carlos Cardenes, and Roberto Koltun at Cuban American Phototheque Foundation, Miami

11/15/14 to 1/15/15

Opening: Saturday, Nov. 15 at 7pm

Cuban American Phototheque Foundation
4260 SW 74 Ave
Miami, FL 33155
thumbnail Nov 15

Hernan Bas exhibit: Youth and uncertainty rendered confidently


From Miami Herald

The early works of one of the great artistic talents to emerge from Miami in the past few years are the subject of a new solo exhibition at YoungArts, “New Perfumes, Larger Blossoms, Pleasures Untasted: Hernan Bas and the Natural World.”

Bas, a YoungArts graduate in Visual Arts, was one of the first artists to gain international recognition from the recent arts renaissance in Miami. Working predominantly in painting, he became known for his depictions of adolescence inspired by classical imagery and literary movements.

He maintains residences in Miami and Detroit. “I spend a good deal of time in Detroit, but I have a studio in Miami as well,” he wrote. “Detroit offered affordable spaces that are increasingly hard to come by in Miami, and it’s nice to get away from the craziness that living here can stir up.”

Early in his career, the artist caught the attention of major gallerists and collectors, including Donald and Mera Rubell, who have since acquired a large body of his work and staged shows drawing from their collection — including the one at YoungArts.

thumbnail Nov 10

Jairo Alfonso at Star Gallery, Guttenberg Arts, NJ

November 2014

Star Gallery
6903 Jackson St.
Guttenberg, NJ 07093

Guttenberg Arts is proud to present for the month of November the exhibition “568” featuring work by resident artist Jairo Alfonso.

The exhibition includes new work created during Alfonso’s Space and Time Artist Residency at Guttenberg Arts. The opening takes place on Friday, Nov. 7 from 7 to 9 p.m. with an artist talk at 8:30. The Star Gallery is located at 6903 Jackson St. in Guttenberg.

This exhibition will remain open for the month of November.


thumbnail Nov 2

Abelardo Morell: Some Recent Pictures at Edwynn Houk Gallery, NY

October 23 – December 20, 2014

Edwynn Houk Gallery

745 Fifth Avenue, 4th floor
New York, NY 10151

Edwynn Houk Gallery is pleased to present a solo exhibition of new work by Abelardo Morell (American, b. Havana, 1948). Following his inaugural exhibition in 2013 with Galerie Edwynn Houk in Zurich, this show marks the artist’s first exhibition at Edwynn Houk Gallery in New York. The sixteen large-scale photographs on view will highlight the scope of Morell’s most recent subjects and his continued experiments with perception.

Reveling in the expectations of the photographic process, Morell’s work is charged with discoveries concerning optics, aperture, exposure, and most notably, camera obscura. Since 1991, Morell has been using the camera obscura to effectively turn entire rooms into cameras: the outside world is transposed onto the interior, creating unexpected and often surreal imagery. In Camera Obscura: Late Afternoon View of The East Side of Midtown Manhattan, 2014 (pictured), the New York City skyline floats over two mysteriously lit doors and the two worlds are flattened into one imaginary place.

thumbnail Sep 29

Angel Delgado: Uncomfortable Landscapes, at B&B Art Exchange, Santa Monica, CA

Opening Reception: Saturday October 11th, 6-9 pm

Curated by Marisa Caichiolo

Co-curated by Evelyn Pener

B&B Art Exchange
Bergamot Station Arts Center
2525 Michigan Ave., Unit F2
Santa Monica, CA 90404


“In his new series of paintings titled “Uncomfortable Landscapes” cuban artist Angel Delgado explores a theme constantly present throughout his work: the human condition and its relationship to the notions of freedom and identity. In this occasion, Delgado presents a series of paintings that far from the traditional idea of landscape, they constitute a view, indeed, but of rather a social panorama of what one would call modern societies. By juxtaposing everyday objects, aerial views of prisons and human silhouettes, the artist creates a composition that evokes a state of alienation. The individual seems utterly reduced to a series of social codes, to which he is, nevertheless, inextricably bonded.” (Patricia Ortega Miranda)

Artist webpage>


thumbnail Sep 17

Armando Mariño in group show: GIANTS AMONG US, at CHG CIRCA, Culver City, CA

September 20 – October 4, 2014

Opening Reception:

Saturday, September 20,from 7-10PM


8530-A Washington Boulevard
Culver City, CA 90232

Culver City (September 15, 2014): On Saturday, September 20, CHG Circa presents “Giants Among Us” a group show examining the role of the Giant in contemporary times. Modern day Giants prove to be more psychologi- cal than tangible in most cases, except perhaps when disguised as championship basketball centers or infamous wrestlers. Yet, since the very beginning of story-telling, giants have recurred as personalities to fear and respect, making mere humans feel small in their shadow, or humongous when the monster is overcome in battle. You’ll see today’s Giant depicted as fantasy, as emotion, even as edible.


thumbnail Sep 14

Allora & Calzadilla: Fault Lines, at Gladstone Gallery, Chelsea, NY

September 13 – October 11, 2014


Gladstone Gallery
515 West 24th Street
New York, NY 10011

Gladstone Gallery is pleased to present a solo exhibition by Allora & Calzadilla. Fault Lines will explore the overlapping mechanics of polyphonic vocal texturing, geological and sculptural displacements, and adversarial rhetorical language in a new performance-based work, featuring an original composition by Guarionex Morales-Matos. The work will feature performances by young male vocalists from the American Boychoir School and the Transfiguration Boychoir. The performances will take place on the hour Tuesday through Friday from 1 – 5 pm with an additional performance at 5:30 pm, and Saturdays hourly from 12:30 – 5:30 pm.

Fault Lines
 consists of a group of ten stone sculptures whose formal vocabulary derives from geological faults – fractures or discontinuities in the Earth’s crust – and choral risers, a set of tall and wide steps used for standing while singing. While the mineral composition of the rocks in Fault Lines took millions of years to assemble, cutting, removing, and displacing sections of their hardened mass has caused an instant and ever-lasting rupture in geological time. The resulting sculptural permutations function as choral risers, which are dispersed throughout the exhibition space and used by two boy sopranos, or trebles, to engage in a verbal duel.


thumbnail Sep 14

IN MEDIAS RES José Parlá at Bryce Wolkowitz Gallery, Chelsea, NY

September 12 – October 18, 2014

Bryce Wolkowitz Gallery
505 West 24th Street
New York, New York 10011

IN MEDIAS RES is a chronicle of Parlá’s life, beginning with his childhood and including his extensive travels around the world. Through choreographed, painterly works, the artist creates impressions of life-altering moments that have impacted his art making process.

The artist’s distinctive method of conceptual and abstract storytelling unfolds and insists on its own vivid layers. The material densities of the works infuse the imagery with a sense of visual narration. Parlá’s paintings exist somewhere between transcription and revelation – the accumulation of words, signs and markings evolve into a complex and unpredictable symphony. Time is very much at stake, and each image is an effort to demarcate the passing of time.

thumbnail Sep 1

Alexandre Arrechea: The Map and The Fact at Magnan Metz Gallery, New York

September 13 – October 11, 2014

Artist Reception: Friday, September 12th 6-8 PM

Magnan Metz Gallery
521 West 26th Street,
New York, NY 10001

Magnan Metz Gallery is pleased to present the fifth solo exhibition for Alexandre Arrechea. The show will be on view from September 13 – October 11, 2014 with a reception for the artist from 6-8 pm on Friday, September 12th.

The often overlooked study and its relationship to the realized artwork have always been of significant importance to Alexandre Arrechea. The two co-existed in the same space; it’s the methodology that shows the natural process in creating the artwork. Traditionally the first stands as the matrix of the second. For this exhibition, however, Arrechea has turned the tables. The artist explains, “With The Map and the Fact I intend to rearrange this relationship with the objective to ask questions of our reality so the drawing in this project becomes a structure closer to the language of a map or a graphical representation of a given ‘territory’. The object is related to this simply through the construction of a section of that map.”


thumbnail Aug 26

Swampspace’s Oliver Sanchez on Collaborating with Art Stars

By Carlos Suarez De Jesus

Tue., Jul. 29 2014 at 10:30 AM

In 2006, Oliver Sanchez transformed the implausible into reality. “I tarred and feathered a classic Rolls-Royce Corniche convertible,” the unpretentious and soft-spoken 55-year-old Cuban-American recalls. “The hardest part of the job was finding the right type of feathers, but we finally settled on goose down after going through a bunch of samples ranging from plain chicken feathers to the more exotic and ornate.”

Sanchez defiled the Rolls for a Wynwood exhibition by two Scandinavian artists, Michael Elmgreen and Ingar Dragset, who aimed to erect a monument to art-world avarice. In the years since, he has become the go-to guy for making artists’ visions a reality. He has created works for big-time locals such as Daniel Arsham, Bert Rodriguez, Naomi Fisher, Bhakti Baxter, and Typoe, as well as established international names.



thumbnail Aug 26

Jorge Pardo in group show Contemporary/Modern: Selections from the Permanent Collection at Santa Barbara Museum of Art

August 31, 2014 – January 4, 2015

Santa Barbara Museum of Art
1130 State Street
Santa Barbara, California 

Contemporary/Modern brings together a selection of significant painting and sculpture from the Museum’s permanent collection. Works in the exhibition date from 1958 to 2014, and together highlight the persistent influence of modernism. Featuring eleven works by eight artists of national and international renown: Helen Frankenthaler, Guy Goodwin, Frederick Hammersley, Josiah McElheny, John McLaughlin, Jorge Pardo, Larry Poons, and Lucas Samaras.


thumbnail Aug 22

Jorge Rodriguez Gerada: National Portrait Gallery Commissions Cuban American Artist to Create a Large-Scale Landscape Portrait for the National Mall

The Smithsonian’s National Portrait Gallery has commissioned a grand landscape portrait from Cuban American urban artist, Jorge Rodríguez-Gerada, to be placed temporarily on the National Mall in October.

For the work titled “Out of Many, One,” the English translation of E pluribus unum, Rodríguez-Gerada will use several images of people photographed in Washington, D.C., to create a composite portrait that will not only be an interactive walk-through experience for visitors but will also be viewable from the newly reopened Washington Monument and from space. The work will be placed on a 10-acre site and stretch across 6 acres of land midway between the World War II and Lincoln memorials along the south side of the Reflecting Pool.

thumbnail Aug 15

Acquiro 2 Art Walk at Cuban American Phototheque Foundation, Miami

Saturday, August 16, 2014


Cuban American Phototheque Foundation
The Bird Road Art District,
4260 SW 74 Ave,
Miami, Florida 33155


Curated by Carlos Mayol and Ivan Cañas


thumbnail Aug 7

Cristina Lei Rodriguez in group show “GOLD”, at Bass Museum of Art, Miami

August 8, 2014 - January 11, 2015

Bass Museum of Art
2100 Collins Avenue,
Miami Beach,  FL 33139 

In 1961 the conceptual artist Piero Manzoni rattled the art world by canning his own feces and making them available for sale, pricing the cans by their weight in exchange for the current value of gold. The following year, in which the Hollywood star Marilyn Monroe dies, Andy Warhol screened the image of the starlet over painted canvases, including golden ones, immortalizing Monroe and establishing her image as one of the most recognized artworks in the world. In 1964, the cult classic film Goldfinger was released and became one of the most iconic James Bond films ever made. The movie unambiguously associated gold with power, glamour but also danger. In parallel, archeological gold was also finding its way into the culture of the masses: from 1961 to 1981 Tutankhamen Treasures and The Treasures of Tutankhamun toured North America and the western hemisphere for the first time, becoming some of the most attended museum exhibits to this day.
Presented in conjunction with the Bass Museum of Art’s 50th anniversary GOLD includes painting, sculpture, video, photography, and installation.

thumbnail Aug 3

Maria Martinez-Cañas in group show “Portraiture Now: Staging the Self”, at The National Portrait Gallery, Washington, DC..

Aug. 22, 2014  through April 12, 2015

The National Portrait Gallery
Eighth and F Streets NW,
Washington, D.C. 20001

“Portraiture Now: Staging the Self” features the work of David Antonio Cruz, Carlee Fernandez, María Martínez-Cañas, Rachelle Mozman, Karen Miranda Rivadaneira, and Michael Vasquez, all artists of Latino background, who make us aware of how identities are constructed and negotiated via portraiture. Seeking to relieve portraiture of its charge to memorialize individuals and convey essential aspects of their identities, they use it instead to explore the ambiguities and changes in individual character. Theatricality is central to their inquiry, as they represent narratives remembered or imagined from their own family histories, or superimpose portraits of their loved ones over themselves, looking for what is shared or unique in individuality, searching like an actor for a character. As they present themselves in a staged manner, portraiture loses its aura of certainty, and becomes an evolving map for finding oneself and others.

Article on Art News

thumbnail Jul 31

Panel Discussion on Cuban Art at NSU Museum of Art Fort Lauderdale

August 23, 2014 2:00PM – 4:00PM

Nova Southeastern University’s Museum of Art | Fort Lauderdale
One East Las Olas Blvd.
Fort Lauderdale, FL 33301

Panel Discussion on Cuban Art with Ramon Cernuda and Margarita Cano, moderated by Bonnie Clearwater, Director and Chief Curator, NSU Museum of Art Fort Lauderdale

Ramón Cernuda is a publisher, editor, writer, collector and internationally recognized expert on Cuban Art. After 30 years pursuing a lifelong love of Cuban art as a private art collector and researcher, he established Cernuda Arte gallery in 2000. He has been the publisher of La Gran Enciclopedia Martiana and a founding member of the Enciclopedia de Cuba Publishing Group. He was a member of the board of directors of the Cuban Museum of Arts and Culture and served as Vice President from 1987-1990.

Born in Havana, Cuba, artist and arts organizer Margarita Cano arrived in the United States in 1962. She worked at the Miami-Dade Public Library as a Community Relations and Art Services Coordinator. In 1983, she organized the landmark exhibition, The Miami Generation: Nine Cuban American Artists (curated by Giulio Blanc) for Miami’s Cuban Museum of Arts and Culture. In 1993, Cano began painting full-time and creating one-of-a-kind artist books. Her work is reminiscent of the illuminated manuscripts of the High Middle Ages, and her idealized landscapes of her beloved island serve as settings for the interaction of the sacred and the mundane.


thumbnail Jul 28

Leyden Rodriguez-Casanova in NEW DIALOGUES: GROUP EXHIBITION, at Alejandra von Hartz Gallery, Miami

Until August 16, 2014

Alejandra Von Hartz Gallery
2630 NW 2nd Avenue
Miami, FL 33127

Alejandra von Hartz Gallery is pleased to announce its group summer exhibition: New Dialogues.

This is a curatorial exercise, work in progress, that will reflect on the resignificance of the work of art through dialogue, contextualization, association, and juxtaposition. Throughout the summer, selected works of the gallery’s artists will share the space creating situations that will generate or identify new perspectives.

The first round will include works by Marta ChilindronMatthew DelegetMarcolina DipierroJuan Pablo Garza,Pachi GiustinianLynne Golob GelfmanArtur LescherLori NozickLeyden Rodriguez-Casanova, and Sam Winston.

thumbnail Jul 28

Leonel Matheu: Crossroads of the Dystopia at The Frost Art Museum, Miami

JULY 12 – SEPTEMBER 14, 2014

The Patricia & Phillip Frost Art Museum
10975 SW 17th Street
Miami, FL, 33199

Cuban-born artist Leonel Matheu has been a prominent figure on the national and international arts scene for over twenty years. Crossroads of the Dystopia is Matheu’s first major survey exhibition. His works range from colored pencil drawings, ink on paper, oil on canvas, to video, multimedia and public installations. Curated by Janet Batet, the exhibition presents more than 20 years of work and provides a comprehensive overview of Matheu’s most distinctive imagery. In describing his body of work, curator Batet says: “If a single symbol could summarize the iconic work of Leonel Matheu, it would be the enigmatic head-a sort of dome-that appears as a constant throughout his work. It serves as a self-portrait and collective portrayal of a nation marked by diaspora and dystopia. This symbol embodies the symptoms and stigma of contemporary global society. With a masterful use of the synthetic graphic design language, Matheu builds up a personal and yet universal iconography that he interweaves in intimate fables of our daily existence. Spirituality, technology, passion, solitude, dreams, chimeras, and deceptions are at the core of his thoughtful body of work.”

thumbnail Jul 22

Short Story: group show at Juan Ruiz Gallery, Miami

Thursday, 24 July, 2014 to Saturday, 20 September, 2014

Juan Ruiz Gallery
301 NW 28th Street
Miami, Florida 33127

Short Story includes eleven Miami-based artists curated by artist Rubén Torres Llorca. The name of the exhibition comes from the small format of all pieces in the show. Each piece has its own short story told by its respective artist.

The following artists are featured in Short Story:

Esteban Blanco
Pip Brant
Carol K. Brown
Randy Burman
Liliam Domínguez
Kathleen Hudspeth
Mary Larsen
Rogelio López-Marín
Rafael López-Ramos
Rubén Torres-Llorca
Lucy de la Vega

thumbnail Jul 3

Impact and Legacy: CINTAS exhibit in Miami celebrates the art of exile

Through July 12, 2014

MDC Museum of Art + Design,
Freedom Tower at Miami Dade College,
600 Biscayne Blvd., Miami

Impact and Legacy, the CINTAS Foundation’s 50th-anniversary exhibition celebrating the work of Cuban artists in exile, is a clear validation of the foundation’s success. The sweeping exhibition features the work of CINTAS fellows and honors the foundation’s benefactor, Oscar B. Cintas, a Cuban industrialist, arts patron and U.S. ambassador, who died in 1957. His estate funds annual visual arts fellowships for artists of Cuban heritage living outside the island and gives awards, too, in music composition, architecture and creative writing.

Among them is Anthony Goicolea, whose work is included in this year’s show.

From The Miami Herald

thumbnail Jun 29

Diango Hernandez in “Bringing Light into a Windowless Room” at Capitain Petzel, Berlin

June 26 – July 31, 2014

Capitain Petzel  
Karl-Marx-Allee 45  
10178 Berlin

Diango Hernández, Matt Mullican, Christopher Williams


thumbnail Jun 24

Alejandro Aguilera: PATTERNS OF PROTEST, at Saltworks Contemporary Art, Atlanta, Georgia

June 27 – July 26, 2014

Opening reception, Friday, June 27, 7-10PM

SALTWORKS Contemporary Art
1100 Howell Mill Rd NW
Atlanta, GA 30318

SALTWORKS is pleased to present Patterns of Protest, new works on paper by Atlanta-based Cuban-born artist, Alejandro Aguilera. This is Aguilera’s third solo exhibition at the gallery. The work will be on view at the White Provisions SALTWORKS space in suite A06 through July 26, 2014.

Consisting of works created over the last two years, Patterns of Protest started in 2008 during the time of the global economic crisis. Aguilera began channelling the daily news events and depictions of large groups protesting into his drawings and studio practice. In these works, Aguilera embodies the mind of the journalist, painting cinematic scenes of the unfolding spectacle. The public arena is a place of improvisation, where the individual morphs into a potent force for change.

  • Tags

  • Support us

  • Mailing list

    Join our Mailing List



    Get this Wordpress newsletter widget
    for newsletter software