Tag : Chelsea

thumbnail Jan 4

Luis Mallo: Interruptions, at Praxis International – New York

Opening reception: Thursday, Jan. 8, 2015   6-8 pm

Jan. 8 – Feb. 21, 2015

Praxis New York
541 West 25th Street,
New York, NY
 

Luis Mallo presents in this exhibition a group of visually arresting images meant to stimulate us to question notions of familiarity. With this series Mallo wants us to understand that the manner in which we perceive our surroundings is contingent by nature. Most of what we see and experience is illusory and therefore, deceptive. His scenes reveal this illusory nature by offering partially concealed and most often perplexing representations of the surrounding landscape and its various props.

For Mallo, Interruptions is not an outcome, but a vital process, a way of looking that may offer a fresh perspective. As previously done with other series, he invites us to look deeper and unearth that which lies latently waiting to be discovered under the veil of familiarity.

 

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thumbnail Sep 14

Allora & Calzadilla: Fault Lines, at Gladstone Gallery, Chelsea, NY

September 13 – October 11, 2014

 

Gladstone Gallery
515 West 24th Street
New York, NY 10011
 

Gladstone Gallery is pleased to present a solo exhibition by Allora & Calzadilla. Fault Lines will explore the overlapping mechanics of polyphonic vocal texturing, geological and sculptural displacements, and adversarial rhetorical language in a new performance-based work, featuring an original composition by Guarionex Morales-Matos. The work will feature performances by young male vocalists from the American Boychoir School and the Transfiguration Boychoir. The performances will take place on the hour Tuesday through Friday from 1 – 5 pm with an additional performance at 5:30 pm, and Saturdays hourly from 12:30 – 5:30 pm.

Fault Lines
 consists of a group of ten stone sculptures whose formal vocabulary derives from geological faults – fractures or discontinuities in the Earth’s crust – and choral risers, a set of tall and wide steps used for standing while singing. While the mineral composition of the rocks in Fault Lines took millions of years to assemble, cutting, removing, and displacing sections of their hardened mass has caused an instant and ever-lasting rupture in geological time. The resulting sculptural permutations function as choral risers, which are dispersed throughout the exhibition space and used by two boy sopranos, or trebles, to engage in a verbal duel.

 

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