Tag : Contemporary Cuban Art

thumbnail Apr 11

Glexis Novoa, Allora & Calzadilla, Amelia Peláez, Wifredo Lam, in group show “Caribbean: Crossroads of the World”, at PAMM, Miami

April 18, 2014

Pérez Art Museum Miami
1103 Biscayne Blvd.,
Miami, FL 33132

Caribbean: Crossroads of the World will highlight over two centuries of rarely seen works—from paintings and sculptures to prints, photographs, installations, films, and videos—dating from the Haitian Revolution to the present. This exhibition employs an inter-disciplinary approach to advance our understanding of the Caribbean and its artistic heritage and contemporary practices. It focuses on four central themes: Fluid Motions, Counterpoints, Shades of History, and Kingdoms of this World. These interconnected frameworks allow insight into the complex context from which the vital and varied artistic production of the region has emerged, illuminating the multiple histories of the region.

 

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thumbnail Apr 5

LABOR: A Survey of Works by Angel Vapor, at Aluna Art Foundation, Miami

April 11 – May 17, 2014

Curated by Ricardo Pau-Llosa

Aluna Art Foundation
172-B West Flagler St.
Miami, Fl. 33130

The title of this exhibition of works by Angel Vapor (b. 1970 in Cuba, in US since 1999), Labor, emphasizes themes central to the artist’s visual thinking: the importance of craft, the focus on the everyday working man (industrial laborer, farmer, soldier, fire-fighter, among others), and the fusion of time-honored techniques in art with the intellectual rigors of conceptualism. The title also evokes the act of giving birth. All the exacting activities of human psyche—from the menial to the transcendent (samurai and meditating monks are recurring themes, as well) share equal status in Vapor’s epic view of labor as the primary joy, not the burden, of life. Mere intellectual play on aesthetic notions, onerous technicism in the name of skill, and brute toil are not, by themselves, art because they are not Labor—the activity that unifies thought, beauty, discipline, and skill and thus the only consistent and trustworthy path to personal fulfillment. Only through the fusion and intersection of disciplines and activities falsely assumed to be disparate can the imagination create original works of art whose meaning and significance may be genuinely thought of as universal.

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thumbnail Mar 30

Ana Mendieta in Rome: interview with Raquel Cecilia

Studio International talks to film-maker Raquel Cecilia about documenting Ana Mendieta’s last creative years in Italy

by CINDI Di MARZO

Since Cuban American artist Ana Mendieta died in 1985 at the age of 36 in tragic and obscure circumstances, many efforts – including the seemingly definitive 2004 travelling exhibition Ana Mendieta: Earth Body, Sculpture and Performance 1972-1985 organised by the Hirshhorn Museum and Sculpture Garden in Washington, DC – have been initiated to ensure her presence in contemporary art history and revisit critical appraisal of her work.

In 2013 alone, two retrospectives reminded visitors that Mendieta’s voice continues to resonate even after her death: Ana Mendieta. She Got Love at Castello di Rivoli Museo d’Arte Contemporanea in Turin followed by the Hayward Gallery’s Ana Mendieta: Traces in London. Apart from her haunting, experimental earth-body works, sculptures, films and photographs, Mendieta has become a symbol for many people who draw strength from her fearless dialogue with their concerns: gender bias in the arts; violence against women globally; racial discrimination; personal and cultural alienation; and the enduring ability of nature – in Mendieta’s view a benevolent feminine power celebrated in matriarchal societies and primitive religions – to restore and heal the soul.

Photo: Ana Mendieta. Tree of Life, 1976. Colour photograph, 50.8 x 33.7 cm. Collection Raquelin Mendieta Family Trust.

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thumbnail Mar 7

PAVEL ACOSTA: STOLEN FROM THE MET, at Zadok Gallery, Miami

Opening: Thursday, March 6, 2014

 

Zadok Gallery
2534 North Miami Avenue
Miami, FL 33127

Pavel Acosta’s new series, Stolen from the Met, is an unprecedented tour de force in rediscovering old masters under a new light. Upon his arrival to New York a couple of years ago, he has embarked in a journey to investigate the pictorial techniques of giants like Velázquez, Vermeer, El Greco, Van Gogh, Picasso and others. Firstly, I was afraid he would go on to forge paintings to make a decent living; then I found out that he only was seeking to translate them into his own language of monochromatic obsession. The outcome has been truly outstanding. Acosta not only wants to emulate these painters and comment on museums’ nuanced engagement with their images, but also doing so in a manner that is sophisticating and therefore rewarding for the viewer.

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thumbnail Mar 2

Diango Hernández: In hazard, translated, Kunstverein Nürnberg, Germany

Opening: Friday, February 28, 2014

March 1 – May 11, 2014

Kunstverein Nürnberg
Albrecht Dürer Gesellschaft
Kressengartenstraße 2
90402 Nürnberg

“Coming out there into the blackness the blast hit him in the mouth, stopping his breath. He tried to gasp, but he could not: something pungent had filled his lungs, so that they retched and shuddered in the attempt to breathe. The wind was wrapping it round him in hot, greasy blasts. His unseeing eyes poured with water, smarted as in mustard gas. He must be in a cloud of dense smoke: but he could not see it, of course—the night could be no darker than it was anyhow. He had no idea where it came from: possibly the fiddley. The thing to do now was to find his way to the Bridge—if his lungs held out. Keeping his head with an effort of will, he began to feel his way along, holding his breath (what little breath he had), resisting the dangerous temptation to hurry.” (1)

During the afternoon of November 9, 1932 in the southeast of Cuba, a powerful short blast of wind violently snatched thousands of pieces of fruit from their trees; for more than five minutes, oranges, mangoes and papayas flew frenetically around like only scared birds know how. The next morning, on November 10, the coastal village of Santa Cruz del Sur and its 3,000 inhabitants had disappeared. During the previous night and in the space of a few minutes, the sea, with gigantic waves measuring five metres high in places, flooded miles of land.

 

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thumbnail Feb 25

Gladys Triana: “Sharply into a Light Space,” at Syracuse University, NY

Feb. 27 – April 25, 2014

Opening reception: Thursday Feb. 27 from 6-8 p.m

Syracuse University
900 South Crouse Ave
Syracuse, NY 13244

Point of Contact Gallery is hosting an opening reception for “Sharply into a Light Space,” an exhibition by Gladys Triana, on Thursday, Feb. 27. The exhibition deals with themes of climate change and the future of our natural environment in a series of photographs, two videos and an installation.
Gladys Triana was born in Camagüey, Cuba, in 1937, and since 1975, she has resided in New York City. She completed a B.A. degree at Mercy College, Dobbs Ferry, New York; (1976) and an M.A. degree at Long Island University, New York; (1977). She studied print making at the San Fernando University in Madrid, Spain (1970-1972).

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thumbnail Feb 18

Anthony Goicolea, Carlos Garaicoa and Diango Hernández in group show: THE MARVELOUS REAL, at the Museum of Contemporary Art, Tokyo, Japan

February 15 – May 11, 2014

MUSEUM OF CONTEMPORARY ART TOKYO
4-1-1 Miyoshi,
Koto-ku, Tokyo 135-0022 Japan

The Marvelous Real
Contemporary Spanish and Latin American Art from The MUSAC Collection

To commemorate 400 years since the Keicho diplomatic mission from Japan to Spain, a wide-ranging program of events is being held in 2013 and 2014 under the banner of celebrating the “400th Anniversary of Japan-Spain Relations.” As part of this program, the Museum of Contemporary Art Tokyo, the Museo de Arte Contemporáneo de Castilla y León (MUSAC) and Acción Cultural Española (AC/E) are presenting “The Marvelous Real,” an exhibition featuring the works of 27 artists selected from the collection of the Museo de Arte Contemporáneo de Castilla y León (MUSAC), which focuses on Spanish works from the 1990s to the present day.

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thumbnail Feb 16

JOSÉ BEDIA: Recurrencia del animal solitario, at Fundación Iturria, Montevideo, Uruguay

December 2013 – February 2014

FUNDACIÓN ITURRIA
Schroeder 6514 – Montevideo
598 26018082
Artists’ Colony “Rosario Oriental” –
Rosario, Colonia Uruguay

http://iturria.com.uy/fundacion-turria/

JOSÉ BEDIA (Havana, 1959) began his artistic education in 1972 at the Escuela de Bellas Artes San Alejandro, and graduated from Havana’s Instituto Superior de Arte in 1981. He represented Cuba in important Biennales, and his art is all over the world in the best museums and international galleries. He has also travelled around the world, with special interest in the Afro and Amerindian cultures, investigating in the least contacted areas of Perú, México, Kenya, Uganda, Congo and Angola, among many other destinations.

….

On this occasion, his travels take him to Uruguay, a country that doesn’t share much with his usual destinations: Uruguay hosts no jungles, native tribes or primitive rituals, nor great mountains or vast deserts.  Instead, it is known for its moderation in every sense of the word: geographical, climatic, social, cultural, political and economical, and certainly doesn’t seem, at first sight, as a profitable trip for the art of Bedia.

 

 

 

 

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thumbnail Feb 14

Gustavo Acosta, Carlos Estevez, Gory, Ruben Torres-Llorca in Made in Miami, at Pan American Art Projects, Miami

February 14-April 19, 2014

Pan American Art Projects
2450 NW 2nd Avenue
Miami, FL 33127

Pan American Art Projects is very pleased to announce our next exhibition, Made in Miami. Since the insertion of Art Basel Miami Beach in 2002 the city has become a hub for contemporary art, resulting in a huge influx of artists and galleries here in the past ten years. This interest in art has also extended to the creation of several new institutions such as the Frost Museum at the Florida International University, and more recently the Perez Art Museum Miami.

The artists in this exhibition are Gustavo Acosta, Edouard Duval-Carrié, Carlos Estévez and Carolina Sardi; they all call Miami home and have been based in the city through its evolution into a cultural hub. They all came to Miami from abroad (Carolina Sardi from Argentina, Gustavo Acosta and Carlos Estevez from Cuba and Edouard Duval Carrie from Haiti) and had already reached international acclaim before settling here which is a testament to the draw that Miami has with its rich cultural panorama.

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thumbnail Feb 14

Spirit Migration: the flowing, the fleeting, the spectral, at BrutEdge Gallery, Newark, NJ

Until February 23, 2014

BrutEdge Gallery  
Mana Contemporary Arts Complex, Space 574.
888 Newark Avenue, Jersey City, NJ 07306.

Ebbing between existential angst and glimmers of that which endures beyond us, art that attempts to represent that supernatural domain just beyond reach is universally recognized as part and parcel of the very impetus to create. In the Caribbean especially, where cultures have crashed together, battled and become an assemblage of disparate ideas and customs – it is religious or spiritual art that challenges viewers most directly with representations of the sacred and the profane.

A spectre of the sacred often haunts contemporary afro-caribbean art, whether by directly aspiring to represent a spiritual ideal allegorically or by virtue of reminding us through the use of materials that the profane sphere, that of everyday human experience, is mostly devoted to the pursuit of worldly desires. These desires represented by materials encoded from their previous purposes, now coated with the residues of decay, destruction and the passage of time, function as memento mori. It is this interpenetration of the sacred and the profane – as a flowing, fleeting and spectral experience that this exhibit highlights with a selection works of Haitian and Cuban artists.

 

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thumbnail Feb 10

Cuban America: An Empire State of Mind at Lehman College Art Gallery, Bronx, NY

February 4 – May 14, 2014

Reception: March 17th, 2014, 6:00 – 8:00 pm

The reception will include a special performance by artist Carmelita Tropicana

Lehman College Art Gallery
250 Bedford Park
Boulevard West
Bronx, N.Y. 10468

Alejandro Aguilera, Jairo Alfonso, Alexandre Arrechea, Tania Bruguera, María Magdalena Campos Pons, Yoán Capote, Los Carpinteros, Luis Cruz Azaceta, Christian Curiel, Alessandra Expósito, Teresita Fernández, Carlos Garaicoa, Anthony Goicolea, María Elena González, Armando Guiller, Luis Mallo, María Martínez Cañas, Abelardo Morel, Gean Moreno & Ernesto Oroza, Glexis Novoa, Geandy Pavón, Emilio Pérez, Javier Piñón, Carlos Rodríguez Cárdenas, Andrés Serrano, & Katarina Wong.

Video program: Juan Carlos Alom, Allora and Calzadilla, Humberto Díaz, Felipe Dulzaides, Luis Gárciga, Tony Labat, Glenda León, and Ana Olema.

Co-curated by Yuneikys Villalonga and Susan Hoeltzel and includes a related Cuban video art program organized by guest curator Meykén Barreto. A series of special programs is conducted by guest curator Elvis Fuentes.

RELATED EVENTS

Panel: In A Material World: Cubans Discuss Their America, moderated by Elvis Fuentes – March 18, 2014 – 6pm
Talk and Tastings: Cuban Cuisine, by a Havana Central Restaurant Chef – May 14, 2014 – 1pm

 

 

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thumbnail Jan 30

Impact and Legacy: 50 Years of the CINTAS Foundation, at MDC Museum of Art + Design, Miami

April 25 – July 12, 2014

MDC Museum of Art + Design

600 Biscayne Blvd. – Miami, FL

The legacy of Oscar B. Cintas has fostered the development of Cuban artists outside of Cuba for the last 50 years, promoting the professional development of these artists and the continuity of Cuban traditions in art. The foresight Cintas has resulted in more than 300 fellowships and grants awarded to creative writers, architects, composers, visual artists and filmmakers, many of whom have later achieved national and international renown. The roster of Cintas fellows is a testament to the talent and creativity of the Cubans and their direct descendants who have lived outside the island since 1959. The Cintas Foundation is the oldest entity in the United States dedicated to the support of artists of the Cuban diaspora.

 

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thumbnail Jan 24

Agustín Fernández: Ultimate Surrealist, at American University Museum, Washington DC

January 25 to March 16, 2014

American University Museum
4400 Massachusetts Ave NW
Washington, DC 20016
 

Agustín Fernández is most recognizable for its ambiguous and precariously balanced forms, erotic overtones, surreal juxtapositions, and metallic palette. Inspired by the demands of survival in an urban environment and the mundane objects that clutter its alleys and streets. Agustín Fernández: Ultimate Surrealist is organized by the Agustín Fernández Foundation and curated by Donald Kuspit

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thumbnail Dec 18

Glexis Novoa, recipient of The Joan Mitchell Foundation 2013 Painters & Sculptors Grant

The Joan Mitchell Foundation announces the 2013 Painters & Sculptors Grant Recipients

December 13, 2013

New York, NY – The Joan Mitchell Foundation is pleased to announce the twenty-five recipients of the 2013 Painters & Sculptors Grant Program in the amount of $25,000 each.
The Painters & Sculptors Grant Program was established in 1993 to assist individual artists. The grants are given to acknowledge painters and sculptors creating work of exceptional quality.Nominators from across the country are invited to recommend artists, at any stage in their career, whom they feel deserve more recognition for their creative achievements and whose practice would significantly benefit from the grant. The candidates’ images were viewed for consideration through an anonymous process by a jury panel that convened this fall at the office of the Joan Mitchell Foundation. Nominators and jurors include prominent visual artists, curators, and art educators.
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thumbnail Dec 18

Louisiana: Mon Amour-An exhibiton by Luis Cruz Azaceta at Acadiana Center for the Arts, Louisiana

November 9, 2013-February 8, 2014

Acadiana Center for the Arts
101 W. Vermilion St. Lafayette, Louisiana 70501
 

Luis Cruz Azaceta was born in Havana, Cuba in 1942 and currently lives and works in New Orleans, Louisiana. As a teenager he witnessed many acts of violence on the streets of Havana: bombs in stores, cinemas and theaters; shoot-outs, arrests and torture of citizens by Batista secret police. In 1959, the Cuban revolution brought jubilation and celebration when Castro promised to restore Cuba’s constitution and free elections. Months later executions began, businesses were confiscated and some closed. Azaceta’s experiences under both Batista and postrevolution impacted his vision—creating a sensitivity towards violence, human cruelty, injustice and alienation—which later become central themes in his work.

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thumbnail Dec 9

Gustavo Acosta – Rio de Janeiro

November 19 , 2013 – January 5, 2014

 

Caixa Cultural
Avenida Almirante Barroso 25
Rio de Janeiro, Brazil
 

We are honored to announce the opening of the exhibit of the work of Gustavo Acosta at the Caixa Culltural.

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thumbnail Dec 9

The Nightmare – Exhibition of Works by Artist Pedro Vizcaino

 November 30, 2013 – February 2, 2014
 
Art@Work
1245 Galloway Road (87th Avenue)
Miami, FL 33174
 
The exhibit features dirty drawings from the series La pesadilla where, as the artist states, figures in the style of underground comics are howling asphyxiated by a chaotic and stressful world.  Rabbit-headed figures, fallen angels, monsters with bulging eyes, buildings shaped like syringes stand out.  A world of nightmares, dirty comics, acid drawings and human-rabbits are screaming in search of an exit.  The city is squashing and smothering the human-rabbit. A dirty expressionism is marked by underground comics drawings and the mixture of charcoal with yellow ink.
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thumbnail Nov 27

Zilia Sánchez, Ana Mendieta, Emilio Pérez – Galerie Lelong at Art Basel Miami Beach

December 5–8, 2013

Miami Beach Convention Center
1901 Convention Center Dr 
Miami Beach, FL 33139

Galerie Lelong New York and Paris will feature program highlights for Art Basel Miami Beach 2013 including work by new gallery artist Zilia Sánchez, a selection of pastels by Sean Scully in Art Kabinett, and a new outdoor sculpture by Ursula von Rydingsvard as part of Art Public. Having been one of the early supporters of Latin American art, Galerie Lelong will exhibit work of some of the region’s most vital figures including Alfredo Jaar, Cildo Meireles, Ana Mendieta, and Hélio Oiticica. Also on view will be artists spanning generations and continents including Petah Coyne, Günther Förg, Lin Tianmiao, David Nash, Emilio Perez, Jaume Plensa, Kate Shepherd, and Kiki Smith.

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thumbnail Nov 27

Julio Larraz. Coming Home at Ascaso Gallery, Miami

November 30, 2013 – February 27, 2014

Opening: Saturday, November 30, 6 – 9 pm

Wynwood Arts District
2441 NW 2nd Ave.
Miami, Fl. 33127

The exhibition Coming Home represents the first show of Larraz’s work in Miami for the last twenty-five years. The exhibition will feature several large paintings on canvas, including the 2013 oil paintings “Desplante”, “Coming Home”, and “Sunday on the Narragansett,” as well as many pastel and watercolors. Commenting on the occasion, Antonio Ascaso said, “With Miami becoming a world-class arts capital, it was time to honor one of its great artists. We felt strongly about the timing of Larraz’s career and the city’s tremendous steps forward in the arts.”

 

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thumbnail Nov 27

Enrique Martínez Celaya: Burning As It Were A Lamp Opens at Fredric Snitzer Gallery, Miami

November 23, 2013 – January 16, 2014

Opening reception Saturday, November 23, 7-9 pm

Fredric Snitzer Gallery
2249 NW 1st Place
Miami, FL 33127
 

The mirror has been a frequently recurring signifier in Martínez Celaya’s work, functioning as a proxy subject, a site of uncanny reflexivity, and an object of philosophical inquiry.  In Burning As It Were A Lamp, the mirror is again at the center of a dense web of visual, literary and philosophical relationships which investigate issues of identity, memory, and loss through the space of multi-disciplinary installation. The exhibition is a continuation of themes and concepts explored in a recent museum-wide environment at SITE Santa Fe, The Pearl.

 

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thumbnail Nov 23

Abelardo Morell’s Outside In, at RoseGallery, Santa Monica, CA

November 23, 2013 – January 18, 2014

ROSEGALLERY
Bergamot Station Arts Center
2525 Michigan Ave.
Santa Monica, CA 90404
 

Over the past twenty-five years, Abelardo Morell has garnered international praise for photographs that render our everyday world a place of magic and wonder. He works with an intelligence that is neither glib nor obtuse, but rather grounded in an emotional sensitivity and unbounded intellectual curiosity, photographing the world as it is, delighting in the quite life….

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thumbnail Nov 23

“Twelve” at Jorge Mendez Gallery, Palm Springs, California

Friday, December 6th from 6-9pm

Jorge Mendez Gallery
756 North Palm Canyon Drive
Palm Springs, California

Artists:

Rafael Lopez-Ramos
Jorge Llamos Gonzalez
Benjamin Dominguez
David Correa
Claudia Mazzucchelli
Hugo Rivera
Miguel Angel Mendez
Roney Fundora
Dante Horoiwa
Lazer Fundora
Rafael Hayashi
Marianela de la Hoz
 
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thumbnail Nov 16

Latin American Art Auction – Christie’s

November 15 – November 20, 2013

 
Christie’s
20 Rockefeller Plaza
NYC

VIEWING TIMES

Nov 15            1pm – 5pm

Nov 16            10am – 5pm

Nov 17            1pm – 5pm

Nov 18            10am – 5pm

Nov 19            10am – 12pm

AUCTION TIMES

Nov 19   7:00 PM   Lots            1 – 74

Nov 20   10:00 AM Lot            80 – 253

Link: E-catalogue

 

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thumbnail Nov 15

Liliam Cuenca – Living Things

November 1 – November 30, 2013

The Americas Collection
4213 Ponce de Leon Blvd,
Coral Gables, FL
 

The Americas Collection is proud to exhibit of the latest works of Liliam Cuenca.

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thumbnail Nov 15

The Silent Shout: Voices in Cuban Abstraction 1950-2013 – Miami

Opening on November 1st from 6-10pm

 

ArtSpace Virginia Miller Galleries
169 Madeira Ave.
Coral Gables, FL 33134

“The Silent Shout” is the first exhibition outside Cuba featuring these groups of artists from different generations, including three artists being shown in Greater Miami for the first time. 

This exhibition provides an overview of these nine important abstract artists from Cuba, as well as a glimpse into that nation’s historically significant “10 Pintores Concretos” and “Los Once” groups.

One of the curators of Pinturas del Silencio—José Angel Vincench—is an artist whose work is included in The Silent Shout as well as being one of its three curators. Other artists whose paintings are included in The Silent Shout are Hugo Consuegra, Sandú Darié, Carlos García, Luis Enrique López, Raúl Martínez, Pedro de Oraá, José Rosabal, and Loló Soldevilla.

 

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thumbnail Nov 14

“Sympletic Structures” Exhibition Highlights the Work of Rafael Domenech

From November 8 through 17, 2013

 

NWSA@Artseen Gallery
2215 NW 2nd Avenue
Miami, FL 33127

Rafael Domenech, a visual arts college junior from New World School of the Arts, will exhibit his body of work in an exhibition entitled Symplectic Structures. His first solo show in Miami, it explores the process of deconstruction in an effort to arrive at the foundation of once recognizable objects. Working on numerous pieces, the monochromatic exhibition – which has taken over six months to complete – is comprised of three sculptures and 20 works on paper. Using found objects such as wood, tape and fluorescent lighting, the composition is harmoniously created and curated in an attempt to draw the viewer into an abstract world where shapes and forms intertwine, while moving in and out of the space they occupy in a rhythmic pattern that is both, arbitrary and coherent.

 

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thumbnail Nov 14

Andres Serrano And Three Other Artists Make Work About Death

October 31, 2013 by 

….

Andres Serrano has built a reputation creating imagery that is shocking and confronts the viewer with heavy content, unapologetically.  His series on death takes this to the next level. Each image, a close-up intimate composition of the deceased subject, is titled according to the cause of death.  The Death Series functions as a mirror of our own mortality, delivered rawly and beautifully in rich colors and blank stares.

 

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thumbnail Nov 13

Eduardo Sarmiento at the Snite Museum of Art

 

The Snite Museum of Art on the University of Notre Dame has just added to its permanent collection two drawings by Sarmiento: the diptych “Through the Eyes of Desire”.

“The interest in theatrical images and spaces found throughout Latin American art of the last hundred years emerges in his work in a renewed way…  Figurative painter of consummate skill, Sarmiento explores complex emotional states…”
- Ricardo Pau-Llosa
Fragment from the essay: Yearning & Desire. Recent works on paper.

 

Link:>>Eduardo Sarmiento Web Page

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thumbnail Nov 10

Waltman Ortega Fine Art to Exhibit Works by Jorge Enrique During the Art Basel Week

November 9 – December 10, 2013

 

Waltman Ortega’s White Room
2233 N.W. 2nd Ave.
Miami, FL 33127

 

Waltman Ortega Fine Art gallery presents “Hybrid”, a solo exhibition of recent works by Jorge Enrique (USA/b. Cuba).

Tearing down the veil of the urban culture is Jorge Enrique’s leitmotiv. The Cuban-American artist resembles the contrasted city which has been inspiring him for over a decade – Miami – a true gateway of the Americas. For him, it is all about capturing the urban tension and then rendering his own recomposed vision. Considering himself a multimedia artist, he often blurs the lines between painting, sculpture, print-making and photography.

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thumbnail Nov 10

Ofill Echevarria’s “El Mundo de los Vivos” is Released

This first book of Cuban American artist Ofill Echevarria (La Habana, 1972) is presented in collaboration with Un-Gyve Limited. Debuting as a member of Grupo Arte Calle in 1988, a graduate of la Academia San Alejandro, Ofill Echevarria has since exhibited his work in galleries and museums internationally. He lives and works in New York City, the urban reality of which is vividly depicted in “El Mundo de los Vivos” book and touring exhibition.

Unveiled in Mexico City with the support of Galeria Alfredo Ginocchio and the exhibit ”Momentum,” the work has now launched in the United States with the coinciding solo exhibition ”The Real World,” new large scale oil paintings from Ofill and a selection of his moving pictures, at the Carriage House Center for the Arts, sponsored by the Cuban Cultural Center and the Gabarron Foundation, New York City.

The 125 page clothbound hardcover with text contributed by Carol Damian, Emilio Garcia Montiel and Alejandro Robles, translated by Marilu Menendez is now available for purchase online.

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