Tag : Cuban Art

thumbnail Aug 22

Jorge Rodriguez Gerada: National Portrait Gallery Commissions Cuban American Artist to Create a Large-Scale Landscape Portrait for the National Mall

The Smithsonian’s National Portrait Gallery has commissioned a grand landscape portrait from Cuban American urban artist, Jorge Rodríguez-Gerada, to be placed temporarily on the National Mall in October.

For the work titled “Out of Many, One,” the English translation of E pluribus unum, Rodríguez-Gerada will use several images of people photographed in Washington, D.C., to create a composite portrait that will not only be an interactive walk-through experience for visitors but will also be viewable from the newly reopened Washington Monument and from space. The work will be placed on a 10-acre site and stretch across 6 acres of land midway between the World War II and Lincoln memorials along the south side of the Reflecting Pool.

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thumbnail Aug 15

Acquiro 2 Art Walk at Cuban American Phototheque Foundation, Miami

Saturday, August 16, 2014

7pm

Cuban American Phototheque Foundation
The Bird Road Art District,
4260 SW 74 Ave,
Miami, Florida 33155

 

Curated by Carlos Mayol and Ivan Cañas

 

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thumbnail Aug 3

Maria Martinez-Cañas in group show “Portraiture Now: Staging the Self”, at The National Portrait Gallery, Washington, DC..

Aug. 22, 2014  through April 12, 2015

The National Portrait Gallery
Eighth and F Streets NW,
Washington, D.C. 20001

 
“Portraiture Now: Staging the Self” features the work of David Antonio Cruz, Carlee Fernandez, María Martínez-Cañas, Rachelle Mozman, Karen Miranda Rivadaneira, and Michael Vasquez, all artists of Latino background, who make us aware of how identities are constructed and negotiated via portraiture. Seeking to relieve portraiture of its charge to memorialize individuals and convey essential aspects of their identities, they use it instead to explore the ambiguities and changes in individual character. Theatricality is central to their inquiry, as they represent narratives remembered or imagined from their own family histories, or superimpose portraits of their loved ones over themselves, looking for what is shared or unique in individuality, searching like an actor for a character. As they present themselves in a staged manner, portraiture loses its aura of certainty, and becomes an evolving map for finding oneself and others.

Article on Art News

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thumbnail Jul 31

Panel Discussion on Cuban Art at NSU Museum of Art Fort Lauderdale

August 23, 2014 2:00PM – 4:00PM

Nova Southeastern University’s Museum of Art | Fort Lauderdale
One East Las Olas Blvd.
Fort Lauderdale, FL 33301

Panel Discussion on Cuban Art with Ramon Cernuda and Margarita Cano, moderated by Bonnie Clearwater, Director and Chief Curator, NSU Museum of Art Fort Lauderdale

Ramón Cernuda is a publisher, editor, writer, collector and internationally recognized expert on Cuban Art. After 30 years pursuing a lifelong love of Cuban art as a private art collector and researcher, he established Cernuda Arte gallery in 2000. He has been the publisher of La Gran Enciclopedia Martiana and a founding member of the Enciclopedia de Cuba Publishing Group. He was a member of the board of directors of the Cuban Museum of Arts and Culture and served as Vice President from 1987-1990.

Born in Havana, Cuba, artist and arts organizer Margarita Cano arrived in the United States in 1962. She worked at the Miami-Dade Public Library as a Community Relations and Art Services Coordinator. In 1983, she organized the landmark exhibition, The Miami Generation: Nine Cuban American Artists (curated by Giulio Blanc) for Miami’s Cuban Museum of Arts and Culture. In 1993, Cano began painting full-time and creating one-of-a-kind artist books. Her work is reminiscent of the illuminated manuscripts of the High Middle Ages, and her idealized landscapes of her beloved island serve as settings for the interaction of the sacred and the mundane.

 

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thumbnail Jul 28

Leyden Rodriguez-Casanova in NEW DIALOGUES: GROUP EXHIBITION, at Alejandra von Hartz Gallery, Miami

Until August 16, 2014

Alejandra Von Hartz Gallery
2630 NW 2nd Avenue
Miami, FL 33127

Alejandra von Hartz Gallery is pleased to announce its group summer exhibition: New Dialogues.

This is a curatorial exercise, work in progress, that will reflect on the resignificance of the work of art through dialogue, contextualization, association, and juxtaposition. Throughout the summer, selected works of the gallery’s artists will share the space creating situations that will generate or identify new perspectives.

The first round will include works by Marta ChilindronMatthew DelegetMarcolina DipierroJuan Pablo Garza,Pachi GiustinianLynne Golob GelfmanArtur LescherLori NozickLeyden Rodriguez-Casanova, and Sam Winston.

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thumbnail Jul 28

Leonel Matheu: Crossroads of the Dystopia at The Frost Art Museum, Miami

JULY 12 – SEPTEMBER 14, 2014

The Patricia & Phillip Frost Art Museum
10975 SW 17th Street
Miami, FL, 33199

Cuban-born artist Leonel Matheu has been a prominent figure on the national and international arts scene for over twenty years. Crossroads of the Dystopia is Matheu’s first major survey exhibition. His works range from colored pencil drawings, ink on paper, oil on canvas, to video, multimedia and public installations. Curated by Janet Batet, the exhibition presents more than 20 years of work and provides a comprehensive overview of Matheu’s most distinctive imagery. In describing his body of work, curator Batet says: “If a single symbol could summarize the iconic work of Leonel Matheu, it would be the enigmatic head-a sort of dome-that appears as a constant throughout his work. It serves as a self-portrait and collective portrayal of a nation marked by diaspora and dystopia. This symbol embodies the symptoms and stigma of contemporary global society. With a masterful use of the synthetic graphic design language, Matheu builds up a personal and yet universal iconography that he interweaves in intimate fables of our daily existence. Spirituality, technology, passion, solitude, dreams, chimeras, and deceptions are at the core of his thoughtful body of work.”

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thumbnail Jul 22

Short Story: group show at Juan Ruiz Gallery, Miami

Thursday, 24 July, 2014 to Saturday, 20 September, 2014

Juan Ruiz Gallery
301 NW 28th Street
Miami, Florida 33127

Short Story includes eleven Miami-based artists curated by artist Rubén Torres Llorca. The name of the exhibition comes from the small format of all pieces in the show. Each piece has its own short story told by its respective artist.

The following artists are featured in Short Story:

Esteban Blanco
Pip Brant
Carol K. Brown
Randy Burman
Liliam Domínguez
Kathleen Hudspeth
Mary Larsen
Rogelio López-Marín
Rafael López-Ramos
Rubén Torres-Llorca
Lucy de la Vega

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thumbnail Jul 3

Impact and Legacy: CINTAS exhibit in Miami celebrates the art of exile

Through July 12, 2014

MDC Museum of Art + Design,
Freedom Tower at Miami Dade College,
600 Biscayne Blvd., Miami

Impact and Legacy, the CINTAS Foundation’s 50th-anniversary exhibition celebrating the work of Cuban artists in exile, is a clear validation of the foundation’s success. The sweeping exhibition features the work of CINTAS fellows and honors the foundation’s benefactor, Oscar B. Cintas, a Cuban industrialist, arts patron and U.S. ambassador, who died in 1957. His estate funds annual visual arts fellowships for artists of Cuban heritage living outside the island and gives awards, too, in music composition, architecture and creative writing.

Among them is Anthony Goicolea, whose work is included in this year’s show.

From The Miami Herald

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thumbnail Jun 29

Diango Hernandez in “Bringing Light into a Windowless Room” at Capitain Petzel, Berlin

June 26 – July 31, 2014

Capitain Petzel  
Karl-Marx-Allee 45  
10178 Berlin

Diango Hernández, Matt Mullican, Christopher Williams

 

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thumbnail Jun 20

“Women at the Edge of an Island”, at Aluna Art Foundation, Miami

June 26 – August 8, 2014

Opening reception: Thursday, June 26, 2014 at 5:00 pm.

Aluna Art Foundation
172 B West Flagler Street

Miami, Florida 33130

The Cuban Museum, Inc. and the Aluna Art Foundation are proud to announce the upcoming exhibition Women on the Edge of an Island / Mujeres al borde de una isla, a group show that includes 23 visual artists from the Cuban Diaspora who explore through art the complex realities of displacement, biculturalism, separation, national identity, and personal and family upheaval that results from the experience of migration and exile.

This program is part of the Cuban Museum’s Sweet Home Museo Cubano Series, made possible by an Arts Challenge Grant from the John S. and James L. Knight Foundation; the Miami Dade County Department of Cultural Affairs, Board of County Commissioners of Miami-Dade; and additional support from Bank of America, Memorial Plan, ArtesMiami, and Friends of the Museum.

The show has been curated by Jesús Rosado and Ileana Fuentes and represents a collaborative effort with the Aluna Art Foundation. The exhibition opens on Thursday, June 26, 2014 with an opening reception at 5:00 pm.

Included in the exhibition are Miami-based artists María Brito; Margarita Cano; Consuelo Castañeda; Elizabeth Cerejido; Liliam Cuenca; Ana Albertina Delgado; Demi; Liliam Domínguez; Ivonne Ferrer; Nereida García-Ferraz; Laura Luna; María Martínez-Cañas and Angela Valella. They are joined by Spain-based Lien Carrazana; Ana Ferrer and Gladys Triana from New York; Rosa Irigoyen, from Puerto Rico; Elizabeth Mesa-Gaido, from Kentucky; María Lino and Silvia Lizama from Hollywood, Florida; Boca Ratón-based Juana Valdés; Clara Morera, from North Carolina; and Lydia Rubio, presently residing in Colombia.

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thumbnail Jun 18

Rolando Pulido, NEW CUBAN POSTER ART: UNVEILING THE UNCONSCIONABLE, at M. Castedo Gallery, NY

 

Friday, June 20, 2014, 6 pm to 9 pm

M. Castedo Gallery
29 West 36th Street, NYC
10th Floor

FREE ADMISSION

RSVP at:  cccofny@aol.com

A unique exhibit of contemporary Cuban poster art by one of its leading exponents, Rolando Pulido, who has selflessly dedicated his talent to support the burgeoning civic resistance movement on the Island. Although within the stylistic continuum of the anti-capitalist poster art that emerged during the first decade of the Cuban revolution—including Alberto Korda’s universally recognized image of Che Guevara—post-revolution poster art, such as Pulido’s, has met a drastically divergent course. The former, as Susan Sontag would point out in her incisive 1970 introduction to “The Art of Revolution,” became a commodity itself. Pulido’s posters, on the other hand, are as technically brilliant and as focused on communication as the best representatives of the genre, yet cannot be defined as coveted consumer art. The distinguished journalist David Rieff will place Pulido’s posters in historical context, addressing the extent to which current cultural trends and renewed political awareness might begin to blot out their marginality.

Award-winning visual artist Rolando Pulido was born and raised in Cienfuegos, Cuba, and has resided in New York City since 1980.

 

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thumbnail Jun 17

Cuban-American artist Jorge Pardo opens exhibition in the Augustins Museum in Toulouse

TOULOUSE.- The unique collection of 12th-century Romanesque capitals held at the Musée des Augustins is one of the great cultural treasures of Toulouse. Internationally renowned for his work at the frontiers of art, design and architecture, Jorge Pardo has been invited to rethink the display of this exceptional collection. His installation will remain in place until the 2016 festival.

By turns a painter, designer, architect and display specialist, Jorge Pardo made just about everything he lives with – the furniture, the lamps, his studio, his house. His intensely colourful work seems to flow continuously from one founding impulsion. For going on twenty years he has tirelessly rethought and questioned aesthetic categories and hierarchies, drawing on the ambiguity of a system in which art is constantly undermined and the functional nearly always de-habilitated.

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thumbnail Jun 9

SCHOOL OF NIGHT: Arturo Rodríguez at the Frost Art Museum, Miami

June 18 – August 24, 2014

The Patricia & Phillip Frost Art Museum
10975 SW 17th Street
Miami, FL, 33199

School of Night features works on paper by artist Arturo Rodríguez. The drawings are inspired by the personal experience of the artist, who feels that between mid-night and dawn his surroundings acquire different dimensions. The School of Night project is actually a collaboration with nine poets whose verses are based in his drawings and together form a book, which will be launched with the exhibition. Curated by Juan A. Martínez.

 

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thumbnail Jun 6

The Miami Generation: Revisited, at NSU Museum of Art Fort Lauderdale, Florida

July 13 – September 21, 2014

Nova Southeastern University’s Museum of Art | Fort Lauderdale
One East Las Olas Blvd.
Fort Lauderdale, FL 33301

In 1983, Miami’s former Cuban Museum of Arts and Culture presented the groundbreaking exhibition The Miami Generation, which represented a pivotal moment in South Florida’s cultural history and brought together for the first time nine emerging artists from Miami’s Cuban exile community who were part of a first generation that received its artistic education in the United States. Now, more than 30 years later, NSU Museum of Art Fort Lauderdale picks up where this exhibition left off, with The Miami Generation:Revisited, a new exhibition featuring works created since 1983 by the original nine artists: Mario Bencomo, María Brito, Humberto Calzada, Pablo Cano, Emilio Falero, Fernando García, Juan González, Carlos Maciá, and César Trasobares. Works on view address the issues of exclusion, inclusion, and sexual identity politics that those in the original show explored, as well as demonstrate the variety of materials the artists use and how their styles and interests have evolved. The exhibition also reveals how each artist has synthesized the dynamics of native and adopted cultural forces to convey their feelings, dreams, and aspirations. These artists were part of a thriving art community in the early 1980s that contributed to the emergence of South Florida as a hub for international art and culture. The exhibition also highlights NSU Museum of Art’s strong commitment to Latin American Art, which includes a large collection of work by Cuban artists and the Stanley and Pearl Goodman Latin American Art Research Center which will launch in 2015.

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thumbnail Jun 6

Elio Rodriguez in group show ALL TOGETHER NOW!, at Breese Little gallery, London

July 10 – August 9, 2014

Private View: Wednesday, July 9, 6 – 9 pm

 
Breese Little 
30b Great Sutton Street,
London, EC1V ODU
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thumbnail Jun 5

“Scaping Back”: Exhibition of Works by Artist Ramón Williams at Farside Gallery, Miami

On View June 6 through July 27, 2014

Opening Reception: Saturday, June 7, 7 to 9 p.m.

Farside Gallery
1305 SW 87th Avenue,
Miami, FL 33174

Ramón Williams was born in Havana, Cuba is 1969. He graduated from the Instituto Superior pedagógico in La Habana with a MasterDegree in Visual Arts in 1992. Between spring and summer of 1996, Ramón Williams exhibited in Havana two groups of paintings: Imágenes de la enciclopedia and La mar estuvo serena. By the end of the same year Williams emigrated to Miami, Florida. Living and working in this city during the last eighteen years, his artistic endeavors yielded to the exploration in the realms of photography,video and computer animation. Walls and contentions barriers all over the city have been subject to a sort of poetic CSI lens in Williams’s hands, where spontaneous perception and dedicated capture of traces interweaves with his skills for computer generated imagery, and his fondness for oriental calligraphy, stream of consciousness writers …and some psychiatry lab tests. As a comeback to the days of pigments (somehow aconsequence and turnaround of the lens, the image in movement, and the 3D world), Scaping Back titles a selection of Ramon Williams recent Miami roadscape paintings that will be exhibited at Farside Gallery on June 7th, 2014, for the first time in the USA.

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thumbnail Jun 4

AFTER THE EMBRACE, intaglio prints by Cuban Master Printer Agustín Rolando Rojas at UNPACK STUDIO, Toronto, Canada

June 6 – July 9, 2014

Opening & Artist Talk: Friday June 6th, 7 pm to 9 pm.

UNPACK STUDIO
11 Willison Square
Toronto, Ontario M5T 1E8

The exhibition will be paired with a catalogue with essays written by curator Maria Elena Soto and artist Eugenio D’Melon.

Agustín Rolando Rojas is a mid-career artist who lives and works in Toronto, Canada. Rojas earned a BFA from San Alejandro Fine Art School (1978) and graduated from the prestigious Instituto Superior de Artes (ISA 1983) in Havana with a degree in Printmaking.

Questioning the stereotype of printmakers as solely followers of traditions and procedures, Agustín masters technique to the point of contradicting it. In his series of drypoints (drypoints without inhibition), he attacks the plates, then erases the marks and re-works the matrixes as if they were pieces of paper. Technically, his artwork operates as a continuous exercise of questioning beliefs about printmaking. Conceptually, it is a direct result of his diasporic experience as a migrant. His work explores the idea of loss and separation, reunion and hope as a permanent condition of displacement and adaptation.

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thumbnail Jun 2

Diango Hernandez in group show NEW PAINTINGS, at Alexander and Bonin Gallery, NY

June 3, 2014 – July 25, 2014

Alexander and Bonin
132 Tenth Avenue
New York, NY 10011

Our summer show includes paintings by five gallery artists: Matthew Benedict, Robert Bordo, Diango Hernández, Stefan Kürten and Sylvia Plimack Mangold. Most of the paintings in the exhibition are being exhibited for the first time.

Press Release

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thumbnail May 28

Angel Delgado, “Constancy”, at Amanda Harris Gallery of Contemporary Art, Las Vegas

Opening Reception and Documentary Screening: Saturday, June 14, 6:00 p.m. -8:00 p.m.

Amanda Harris Gallery of Contemporary Art,
900 S. Las Vegas Blvd. #150,
Las Vegas, NV 89101.

Las Vegas based artist Angel Delgado will present a new series of painting, drawings and installations in a solo exhibition titled “Constancy”. The work of Delgado is largely based on the limitations, restrictions, prohibitions and controls that you are constantly imposed on human beings in society. Through keen observation of the everyday and the ordinary, Delgado is trying to transform those objects or situations that are the daily step in photographs, drawings, videos, paintings, installations and performance, with a poetic that makes us reflect on our lives, about social processes or on the same processes of artistic creation.

Delgado has shown his work internationally for over 15 years, including solo shows in Havana, Madrid, Mexico City, Puerto Vallarta, Istanbul, New Orleans, Los Angeles and Pittsburgh.

Artist’s webpage

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thumbnail May 16

Cuban artist Arnolkis Turro in group show RENOVACIÓN DE LAS ESENCIAS, at Alianza Francesa de Managua, Nicaragua

Opening: May 14, 2014 – 7pm

Alianza Francesa
Planes de Altamira
Embajada de México
1/2 c. al Norte

Artists:

Arnolkis Turro
Sergio Velasquez
Leonel Cerrato
Julio Quintero

In Spanish

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thumbnail May 8

Reverse: rewriting culture. Curated by Janet Batet. Group Exhibit

May 8th – July 5th, 2014

Opening Reception | Thursday, May 8th | 7 PM – 10PM

Dot Fiftyone Gallery
187 NW 27 Street 
Wynwood Arts District, Miami FL 33127

Artists:

Consuelo Castaneda, David Rohn , Eduardo Rivera Salvatierra, Fernando Bayona González, Fernando García, Jonathan Wahl, Juan Pablo Ballester and Nereida Garcia-Ferráz

Reverse: Rewriting culture seeks to review the body of work of contemporary gay artists that freed from any fig leaf are proposing a horizontal reading about gender, sexuality, social concerns, and ontological issues.

This exhibition is the first edition of the ambitious project “ONE WAY”, that in each edition will call a group of artists whose sexual orientation does not correspond to the dominant stereotype of heterosexuality, neither with the wild spread misconception that reduce the production of gay artists to homoerotic contents.

Reverse: Rewriting culture seeks to avoid incurring two extended stereotypes and therefore errors that dominate the approach to this kind of production that include, but are not limited to the following misconceptions: Concealment or silencing of sexual orientation of the author, or by the contrary, Confinement and reduction to the mere erotic commentary that silences or minimizes the social implications that motivates these works placing them away from general social channel where definitely belong these proposals.

 

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thumbnail Apr 27

Armando Mariño: New Paintings after the Long Winter, at 532 Gallery Thomas Jaeckel, NY

May 6 – June 7, 2014

Vernissage Tuesday, May 6, from 6 – 8pm

532 Gallery Thomas Jaeckel
532 West 25th Street
New York, NY 10001
 
 
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thumbnail Apr 25

Zilia Sánchez “Heróicas Eróticas en Nueva York,” at GALERIE LELONG, New York

May 3, 2014 – June 21, 2014

Opening reception: Friday, May 2, 6-8pm

Galerie Lelong
528 West 26th Street
New York, NY 10001
 

Galerie Lelong is pleased to present its first solo exhibition with Cuban-born artist Zilia Sánchez, Heróicas Eróticas en Nueva York. As a global citizen who has lived in Cuba, Spain, New York, and now Puerto Rico, Sánchez’s hybridized shaped canvases unite the painterly and the sculptural, the formal and the psychological, and the masculine and the feminine. Only the second exhibition of Sánchez’s work in New York in over thirty years, Heróicas Eróticas en Nueva York comprises paintings made in the artist’s signature technique of stretching canvas over hand-molded wooden armatures, and spans fifty years of production. Many of the works on view have never been seen outside of Sánchez’s adopted home of Puerto Rico. The artist will be present for the opening on Friday, May 2 from 6-8pm.

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thumbnail Apr 25

Rafael López-Ramos in group show Alpha & Omega at Arevalo Gallery, Miami

April 25- 26
10:00 a.m. – 6 p.m.

April 27 – 28
by appointment

Arevalo Gallery
151 NE 40th St. Ste. 200.
Miami FL 33137
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thumbnail Apr 14

Angela Valella wins 2013 – 2014 CINTAS Foundation Award in Visual Arts

Angela Valella is an artist and educator born in Cuba, based in Miami. She is the director of The Nightclub project, a nomadic platform established in April 2012 which aims to create dialogue among diverse artistic practices and practitioners through curated exhibitions presented in various venues for one night only. From 2005 to 2011, she cofounded 801 Projects, a contemporary space dedicated to promote the arts that included exhibitions, workshops, and talks. One of the founding members of Design and Architecture School, DASH, in South Florida, she has organized curatorial shows and conferences among other projects. Valella’s works in a variety of media including painting, collage, installation, and video. She investigates problems of perception, selective accumulation and non-linearity.

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thumbnail Apr 11

Glexis Novoa, Allora & Calzadilla, Amelia Peláez, Wifredo Lam, in group show “Caribbean: Crossroads of the World”, at PAMM, Miami

April 18, 2014

Pérez Art Museum Miami
1103 Biscayne Blvd.,
Miami, FL 33132

Caribbean: Crossroads of the World will highlight over two centuries of rarely seen works—from paintings and sculptures to prints, photographs, installations, films, and videos—dating from the Haitian Revolution to the present. This exhibition employs an inter-disciplinary approach to advance our understanding of the Caribbean and its artistic heritage and contemporary practices. It focuses on four central themes: Fluid Motions, Counterpoints, Shades of History, and Kingdoms of this World. These interconnected frameworks allow insight into the complex context from which the vital and varied artistic production of the region has emerged, illuminating the multiple histories of the region.

 

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thumbnail Apr 5

LABOR: A Survey of Works by Angel Vapor, at Aluna Art Foundation, Miami

April 11 – May 17, 2014

Curated by Ricardo Pau-Llosa

Aluna Art Foundation
172-B West Flagler St.
Miami, Fl. 33130

The title of this exhibition of works by Angel Vapor (b. 1970 in Cuba, in US since 1999), Labor, emphasizes themes central to the artist’s visual thinking: the importance of craft, the focus on the everyday working man (industrial laborer, farmer, soldier, fire-fighter, among others), and the fusion of time-honored techniques in art with the intellectual rigors of conceptualism. The title also evokes the act of giving birth. All the exacting activities of human psyche—from the menial to the transcendent (samurai and meditating monks are recurring themes, as well) share equal status in Vapor’s epic view of labor as the primary joy, not the burden, of life. Mere intellectual play on aesthetic notions, onerous technicism in the name of skill, and brute toil are not, by themselves, art because they are not Labor—the activity that unifies thought, beauty, discipline, and skill and thus the only consistent and trustworthy path to personal fulfillment. Only through the fusion and intersection of disciplines and activities falsely assumed to be disparate can the imagination create original works of art whose meaning and significance may be genuinely thought of as universal.

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thumbnail Apr 3

Félix González-Torres and Tomás Sánchez in group show LONE TREE, at Marlborough Chelsea, NY

APRIL 4 – MAY 3, 2014

OPENING RECEPTION: FRIDAY, APRIL 4, 6-8PM

MARLBOROUGH CHELSEA
545 West 25th Street
New York, NY 10001

Marlborough Chelsea is proud to present Lone Tree, a group exhibition of contemporary work inspired by Romanticism, the sublime and in particular the German painter Caspar David Friedrich.

“The artist’s feeling is his law. Genuine feeling can never be contrary to nature; it is always in harmony with her. But another person’s feelings should never be imposed on us as law. Spiritual affinity leads to similarity in work, but such affinity is something entirely different from mimicry.”

- Caspar David Friedrich

We have seen lately a significant resurrection of Romanticism in Contemporary Art. Developed in the late 18th – early 19th century as a reaction to the Industrial Revolution, early Romanticism challenged the pragmatic rationalization of science over the natural world, insisting instead on a philosophy of human emotion, sensitivity, and an expanded imagination of the sublime.
This exhibition is a starting point from which to explore how notions of the spiritual and the magical alongside the sublime and the romantic, have once again, become important as contemporary artists grapple with the rapid developments that are changing the world as we know it, right before our eyes.

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thumbnail Mar 30

Ana Mendieta in Rome: interview with Raquel Cecilia

Studio International talks to film-maker Raquel Cecilia about documenting Ana Mendieta’s last creative years in Italy

by CINDI Di MARZO

Since Cuban American artist Ana Mendieta died in 1985 at the age of 36 in tragic and obscure circumstances, many efforts – including the seemingly definitive 2004 travelling exhibition Ana Mendieta: Earth Body, Sculpture and Performance 1972-1985 organised by the Hirshhorn Museum and Sculpture Garden in Washington, DC – have been initiated to ensure her presence in contemporary art history and revisit critical appraisal of her work.

In 2013 alone, two retrospectives reminded visitors that Mendieta’s voice continues to resonate even after her death: Ana Mendieta. She Got Love at Castello di Rivoli Museo d’Arte Contemporanea in Turin followed by the Hayward Gallery’s Ana Mendieta: Traces in London. Apart from her haunting, experimental earth-body works, sculptures, films and photographs, Mendieta has become a symbol for many people who draw strength from her fearless dialogue with their concerns: gender bias in the arts; violence against women globally; racial discrimination; personal and cultural alienation; and the enduring ability of nature – in Mendieta’s view a benevolent feminine power celebrated in matriarchal societies and primitive religions – to restore and heal the soul.

Photo: Ana Mendieta. Tree of Life, 1976. Colour photograph, 50.8 x 33.7 cm. Collection Raquelin Mendieta Family Trust.

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thumbnail Mar 23

Diango Hernández at 1ST INTERNATIONAL CONTEMPORARY ART BIENNIAL, CARTAGENA DE INDIAS, COLOMBIA

The city of Cartagena has strong connections to cinema, music, dance and traditional artisanal crafts and this first edition of the biennial honors these cultural manifestations while introducing both national and international contemporary perspectives.

From February 7 to April 7, 2014 the entire city will be activated by multidisciplinary exhibitions in diverse venues throughout the city, including a number of installations and performance in public spaces, and a solid educational program of conferences, artist talks and workshops. All of the biennial programming is free and open to BIACI 2014 is a platform that brings contemporary artists from 45 different countries and across generations into the same context in order to promote dialogue and create connections between national and international artists. The Biennial is organized by the Fundación BIACI, a not for profit organization whose main purpose is to promote international and national contemporary art in Cartagena de Indias.

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