Tag : Cuban Art

thumbnail Apr 11

Glexis Novoa, Allora & Calzadilla, Amelia Peláez, Wifredo Lam, in group show “Caribbean: Crossroads of the World”, at PAMM, Miami

April 18, 2014

Pérez Art Museum Miami
1103 Biscayne Blvd.,
Miami, FL 33132

Caribbean: Crossroads of the World will highlight over two centuries of rarely seen works—from paintings and sculptures to prints, photographs, installations, films, and videos—dating from the Haitian Revolution to the present. This exhibition employs an inter-disciplinary approach to advance our understanding of the Caribbean and its artistic heritage and contemporary practices. It focuses on four central themes: Fluid Motions, Counterpoints, Shades of History, and Kingdoms of this World. These interconnected frameworks allow insight into the complex context from which the vital and varied artistic production of the region has emerged, illuminating the multiple histories of the region.

 

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thumbnail Apr 5

LABOR: A Survey of Works by Angel Vapor, at Aluna Art Foundation, Miami

April 11 – May 17, 2014

Curated by Ricardo Pau-Llosa

Aluna Art Foundation
172-B West Flagler St.
Miami, Fl. 33130

The title of this exhibition of works by Angel Vapor (b. 1970 in Cuba, in US since 1999), Labor, emphasizes themes central to the artist’s visual thinking: the importance of craft, the focus on the everyday working man (industrial laborer, farmer, soldier, fire-fighter, among others), and the fusion of time-honored techniques in art with the intellectual rigors of conceptualism. The title also evokes the act of giving birth. All the exacting activities of human psyche—from the menial to the transcendent (samurai and meditating monks are recurring themes, as well) share equal status in Vapor’s epic view of labor as the primary joy, not the burden, of life. Mere intellectual play on aesthetic notions, onerous technicism in the name of skill, and brute toil are not, by themselves, art because they are not Labor—the activity that unifies thought, beauty, discipline, and skill and thus the only consistent and trustworthy path to personal fulfillment. Only through the fusion and intersection of disciplines and activities falsely assumed to be disparate can the imagination create original works of art whose meaning and significance may be genuinely thought of as universal.

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thumbnail Apr 3

Félix González-Torres and Tomás Sánchez in group show LONE TREE, at Marlborough Chelsea, NY

APRIL 4 – MAY 3, 2014

OPENING RECEPTION: FRIDAY, APRIL 4, 6-8PM

MARLBOROUGH CHELSEA
545 West 25th Street
New York, NY 10001

Marlborough Chelsea is proud to present Lone Tree, a group exhibition of contemporary work inspired by Romanticism, the sublime and in particular the German painter Caspar David Friedrich.

“The artist’s feeling is his law. Genuine feeling can never be contrary to nature; it is always in harmony with her. But another person’s feelings should never be imposed on us as law. Spiritual affinity leads to similarity in work, but such affinity is something entirely different from mimicry.”

- Caspar David Friedrich

We have seen lately a significant resurrection of Romanticism in Contemporary Art. Developed in the late 18th – early 19th century as a reaction to the Industrial Revolution, early Romanticism challenged the pragmatic rationalization of science over the natural world, insisting instead on a philosophy of human emotion, sensitivity, and an expanded imagination of the sublime.
This exhibition is a starting point from which to explore how notions of the spiritual and the magical alongside the sublime and the romantic, have once again, become important as contemporary artists grapple with the rapid developments that are changing the world as we know it, right before our eyes.

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thumbnail Mar 30

Ana Mendieta in Rome: interview with Raquel Cecilia

Studio International talks to film-maker Raquel Cecilia about documenting Ana Mendieta’s last creative years in Italy

by CINDI Di MARZO

Since Cuban American artist Ana Mendieta died in 1985 at the age of 36 in tragic and obscure circumstances, many efforts – including the seemingly definitive 2004 travelling exhibition Ana Mendieta: Earth Body, Sculpture and Performance 1972-1985 organised by the Hirshhorn Museum and Sculpture Garden in Washington, DC – have been initiated to ensure her presence in contemporary art history and revisit critical appraisal of her work.

In 2013 alone, two retrospectives reminded visitors that Mendieta’s voice continues to resonate even after her death: Ana Mendieta. She Got Love at Castello di Rivoli Museo d’Arte Contemporanea in Turin followed by the Hayward Gallery’s Ana Mendieta: Traces in London. Apart from her haunting, experimental earth-body works, sculptures, films and photographs, Mendieta has become a symbol for many people who draw strength from her fearless dialogue with their concerns: gender bias in the arts; violence against women globally; racial discrimination; personal and cultural alienation; and the enduring ability of nature – in Mendieta’s view a benevolent feminine power celebrated in matriarchal societies and primitive religions – to restore and heal the soul.

Photo: Ana Mendieta. Tree of Life, 1976. Colour photograph, 50.8 x 33.7 cm. Collection Raquelin Mendieta Family Trust.

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thumbnail Mar 23

Diango Hernández at 1ST INTERNATIONAL CONTEMPORARY ART BIENNIAL, CARTAGENA DE INDIAS, COLOMBIA

The city of Cartagena has strong connections to cinema, music, dance and traditional artisanal crafts and this first edition of the biennial honors these cultural manifestations while introducing both national and international contemporary perspectives.

From February 7 to April 7, 2014 the entire city will be activated by multidisciplinary exhibitions in diverse venues throughout the city, including a number of installations and performance in public spaces, and a solid educational program of conferences, artist talks and workshops. All of the biennial programming is free and open to BIACI 2014 is a platform that brings contemporary artists from 45 different countries and across generations into the same context in order to promote dialogue and create connections between national and international artists. The Biennial is organized by the Fundación BIACI, a not for profit organization whose main purpose is to promote international and national contemporary art in Cartagena de Indias.

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thumbnail Mar 19

“HABEAS CORPUS: NUDE, IDEOLOGY AND IDENTITY IN CUBAN PHOTOGRAPHY (1982-1993)”, by WILLY CASTELLANOS at Aluna Art Foundation, Miami

Saturday, March 22nd/2014 at 7:00pm

ALUNA ART FOUNDATION
172 B WEST FLAGLER STREET
MIAMI, FL 33130

Aluna Art Foundation & Focus Locus cordially invites you to “HABEAS CORPUS: NUDE, IDEOLOGY AND IDENTITY IN CUBAN PHOTOGRAPHY (1982-1993)”, the last of our talks with art historian, curator and photographer WILLY CASTELLANOS; as part of the series “ART, DOCUMENT AND REALITY: REFRACTIONS ON PHOTOGRAPHY IN CUBA” (History, Theory and Criticism).

WILLY CASTELLANOS An art historian, curator and photographer, holder of a degree in History of Arts from the University of Havana (1993) were he graduated with a thesis on photography: “Nude as Objet and Strategy in Cuban Photography (1982-1993)”; Castellanos left Cuba in 1994 to Argentina.
In 2001, he moved to Miami, where he actually lives and works. His writings on art have been published in the magazines Fotomundo (Buenos Aires), Revolución y Cultura (Havana), P’alante Magazine/The Sun Sentinel (Broward, FL), Arte al Día International, LetraUrbana.com and Nagari Magzine, as well as in several exhibition catalogs in the United States.
In Miami, Castellanos was the Curator of the photography exhibition “Prayers for Saints and Orishas” at the Spanish Cultural Center of Miami (CCE), and also of “New Gods by José Franco,” and “20 Brands by Felix Beltrán” (co-curated with Rafael López-Ramos) for the Miami Dade College Art Gallery System (AGC).
Castellanos is the co-author of the critical essay for the book of Cuban photographer Raúl Canibano published by La Fabrica (Madrid, 2012); and is currently working on the publication of two more books on Cuban contemporary photography.
His photographic essay “Exodus: a missing page in history”, which documents the start of the massive wave of “rafters” that left the coast of Havana in 1994, was selected and invited in 2012 to open the Photoamerica edition of Arteamericas, the Latin-American Contemporary Art Fair of Miami. His shots have been featured in one-man and group shows in Cuba, Argentina, Brazil, and the United States.

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thumbnail Mar 7

PAVEL ACOSTA: STOLEN FROM THE MET, at Zadok Gallery, Miami

Opening: Thursday, March 6, 2014

 

Zadok Gallery
2534 North Miami Avenue
Miami, FL 33127

Pavel Acosta’s new series, Stolen from the Met, is an unprecedented tour de force in rediscovering old masters under a new light. Upon his arrival to New York a couple of years ago, he has embarked in a journey to investigate the pictorial techniques of giants like Velázquez, Vermeer, El Greco, Van Gogh, Picasso and others. Firstly, I was afraid he would go on to forge paintings to make a decent living; then I found out that he only was seeking to translate them into his own language of monochromatic obsession. The outcome has been truly outstanding. Acosta not only wants to emulate these painters and comment on museums’ nuanced engagement with their images, but also doing so in a manner that is sophisticating and therefore rewarding for the viewer.

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thumbnail Feb 25

Gladys Triana: “Sharply into a Light Space,” at Syracuse University, NY

Feb. 27 – April 25, 2014

Opening reception: Thursday Feb. 27 from 6-8 p.m

Syracuse University
900 South Crouse Ave
Syracuse, NY 13244

Point of Contact Gallery is hosting an opening reception for “Sharply into a Light Space,” an exhibition by Gladys Triana, on Thursday, Feb. 27. The exhibition deals with themes of climate change and the future of our natural environment in a series of photographs, two videos and an installation.
Gladys Triana was born in Camagüey, Cuba, in 1937, and since 1975, she has resided in New York City. She completed a B.A. degree at Mercy College, Dobbs Ferry, New York; (1976) and an M.A. degree at Long Island University, New York; (1977). She studied print making at the San Fernando University in Madrid, Spain (1970-1972).

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thumbnail Feb 18

Anthony Goicolea, Carlos Garaicoa and Diango Hernández in group show: THE MARVELOUS REAL, at the Museum of Contemporary Art, Tokyo, Japan

February 15 – May 11, 2014

MUSEUM OF CONTEMPORARY ART TOKYO
4-1-1 Miyoshi,
Koto-ku, Tokyo 135-0022 Japan

The Marvelous Real
Contemporary Spanish and Latin American Art from The MUSAC Collection

To commemorate 400 years since the Keicho diplomatic mission from Japan to Spain, a wide-ranging program of events is being held in 2013 and 2014 under the banner of celebrating the “400th Anniversary of Japan-Spain Relations.” As part of this program, the Museum of Contemporary Art Tokyo, the Museo de Arte Contemporáneo de Castilla y León (MUSAC) and Acción Cultural Española (AC/E) are presenting “The Marvelous Real,” an exhibition featuring the works of 27 artists selected from the collection of the Museo de Arte Contemporáneo de Castilla y León (MUSAC), which focuses on Spanish works from the 1990s to the present day.

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thumbnail Feb 16

JOSÉ BEDIA: Recurrencia del animal solitario, at Fundación Iturria, Montevideo, Uruguay

December 2013 – February 2014

FUNDACIÓN ITURRIA
Schroeder 6514 – Montevideo
598 26018082
Artists’ Colony “Rosario Oriental” –
Rosario, Colonia Uruguay

http://iturria.com.uy/fundacion-turria/

JOSÉ BEDIA (Havana, 1959) began his artistic education in 1972 at the Escuela de Bellas Artes San Alejandro, and graduated from Havana’s Instituto Superior de Arte in 1981. He represented Cuba in important Biennales, and his art is all over the world in the best museums and international galleries. He has also travelled around the world, with special interest in the Afro and Amerindian cultures, investigating in the least contacted areas of Perú, México, Kenya, Uganda, Congo and Angola, among many other destinations.

….

On this occasion, his travels take him to Uruguay, a country that doesn’t share much with his usual destinations: Uruguay hosts no jungles, native tribes or primitive rituals, nor great mountains or vast deserts.  Instead, it is known for its moderation in every sense of the word: geographical, climatic, social, cultural, political and economical, and certainly doesn’t seem, at first sight, as a profitable trip for the art of Bedia.

 

 

 

 

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thumbnail Feb 16

Felix Gonzalez-Torres in group show Legacy: The Emily Fisher Landau Collection, at Grand Rapids Art Museum, MI

 February 2 – April 27, 2014

Grand Rapids Art Museum
101 Monroe Center NW
Grand Rapids, MI 49503
 

These are the bold, contemporary, and controversial artists who defined the art of our era. These artists took risks stylistically, thematically, conceptually, and pushed the very boundaries of art.

…..

Drawn from Emily Fisher Landau’s spectacular donation of over 400 modern and contemporary works of art to the Whitney Museum of American Art, this exhibition of 80 works traces the themes and ideas that have shaped art since the late 1960s—abstraction, conceptualism, postmodernism, questions about the relevance of painting in the aftermath of minimalism, debates about representation, “culture wars,” and a revived interest in personal narratives.

Legacy also illuminates the sociopolitical issues at the forefront of the 1980s downtown New York scene. Important works by Felix Gonzalez-Torres, Robert Mapplethorpe, Peter Hujar, Nan Goldin, Keith Haring, David Wojnarowicz, and Lorna Simpson tackle tough subject matter, including AIDS, politics, and gender and race issues.

 

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thumbnail Feb 14

The Cuban American Phototheque of Miami Presents Ivan Canas’ Artist Talk, Miami

Saturday, February 15 at 7 p.m

 

The Cuban American Phototheque
4260 SW 74 Ave
the Bird Road Art District 
Miami, Florida 33155

The Cuban born photographer Ivan Cañas began his professional career in the 60s, but the protagonists of his personal work were never the leaders of the so called Cuban Revolution that produced thousands of images published all around the world. Although the photographer took with expertise the images requested by the editors of the magazine he worked on, the creator kept always some film to satisfy his personal vision of the everyday life in Cuba.

The Cuban American Phototheque will hold an Artist Talk next Saturday, February 15 at 7 p.m., the occasion of the current exhibition Ivan Canas: A Retrospective. Cuban Art specialist Ileana Fuentes and Willy Castellanos will be talking with artist Ivan Cañas providing diverse viewpoints about the photographer’s work and his role in the Cuban Art made in and outside the island. The photographer will be available to answer the public questions and share his memories with the audience.

 

 

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thumbnail Feb 14

Gustavo Acosta, Carlos Estevez, Gory, Ruben Torres-Llorca in Made in Miami, at Pan American Art Projects, Miami

February 14-April 19, 2014

Pan American Art Projects
2450 NW 2nd Avenue
Miami, FL 33127

Pan American Art Projects is very pleased to announce our next exhibition, Made in Miami. Since the insertion of Art Basel Miami Beach in 2002 the city has become a hub for contemporary art, resulting in a huge influx of artists and galleries here in the past ten years. This interest in art has also extended to the creation of several new institutions such as the Frost Museum at the Florida International University, and more recently the Perez Art Museum Miami.

The artists in this exhibition are Gustavo Acosta, Edouard Duval-Carrié, Carlos Estévez and Carolina Sardi; they all call Miami home and have been based in the city through its evolution into a cultural hub. They all came to Miami from abroad (Carolina Sardi from Argentina, Gustavo Acosta and Carlos Estevez from Cuba and Edouard Duval Carrie from Haiti) and had already reached international acclaim before settling here which is a testament to the draw that Miami has with its rich cultural panorama.

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thumbnail Feb 14

Spirit Migration: the flowing, the fleeting, the spectral, at BrutEdge Gallery, Newark, NJ

Until February 23, 2014

BrutEdge Gallery  
Mana Contemporary Arts Complex, Space 574.
888 Newark Avenue, Jersey City, NJ 07306.

Ebbing between existential angst and glimmers of that which endures beyond us, art that attempts to represent that supernatural domain just beyond reach is universally recognized as part and parcel of the very impetus to create. In the Caribbean especially, where cultures have crashed together, battled and become an assemblage of disparate ideas and customs – it is religious or spiritual art that challenges viewers most directly with representations of the sacred and the profane.

A spectre of the sacred often haunts contemporary afro-caribbean art, whether by directly aspiring to represent a spiritual ideal allegorically or by virtue of reminding us through the use of materials that the profane sphere, that of everyday human experience, is mostly devoted to the pursuit of worldly desires. These desires represented by materials encoded from their previous purposes, now coated with the residues of decay, destruction and the passage of time, function as memento mori. It is this interpenetration of the sacred and the profane – as a flowing, fleeting and spectral experience that this exhibit highlights with a selection works of Haitian and Cuban artists.

 

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thumbnail Feb 14

Walking in Someone Else’s shoes (Identities in Transit)” at Aluna Art Foundation, Miami

Until Febrary 25, 2014

Aluna Art Foundation

172-b West Flagler Street,
Miami, Fl.33130

The exhibition “Walking in Someone Else’s shoes (Identities in Transit)” at Aluna Art Foundation in Miami, gathers together a group of contemporary works that revolve around the transhumance as a method, and that reflect the restless landscape of individuals and communities who walk in turbulent times.
Many works include the concrete representation of the shoe and a poetry of it which is linked to individual transit, to intimate forms of memory, and last but not least to the course of collective history, including the migration routes, and the traces of exodus or a psycho-geographic vision of the scenery of disappearances.

The participant artists are Graciela Sacco (Argentina), Patricio Reig (Argentina/España), Marina Font (Argentina/USA), Roberto Huarcaya (Peru), Cecilia Paredes (Peru/USA), Luis F. Peláez (Colombia), Linda Pongutá (Colombia), Luis Roldán (Colombia/USA), Manuel Zapata (Colombia/USA), Andrés Michelena (Venezuela/USA), Felipe Ehrenberg (México/Brazil), Mario Bellatín (Peru/ Mexico), Regina José Galindo (Guatemala), Ronald Morán (Salvador), Walterio Iraheta (Salvador), Antuan (Cuba/USA), Humberto Castro (Cuba/USA), Willy Castellanos (Cuba/USA), Gustavo Gavilondo (Cuba/USA), Hugo Moro (Cuba/USA), Debra Holt (USA), Patricia Schnall Gutiérrez (USA), Alexandra Rowley (USA), y Xavier G-Solis (Spain).

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thumbnail Feb 10

“A Wasted Journey, A Half-Finished Blaze” by Enrique Martinez Celaya, at Galleri Andersson/Sandström Umea, Sweden

Feb 2 – Mar 7, 2014

Galleri Andersson/Sandström
Aktrisgränd 34
903 64 UMEÅ
SWEDEN

The exhibition “A Wasted Journey, A Half-Finished Blaze” showcases five new paintings and an impressive sculptural installation that fills the gallery in Umedalen. The main sculpture in this environment presents a bronze boy encrusted with large jewels crying onto a bed of pine needles. His tears carve a channel through the beds as they cascade from one bed to the next. When they reach the last bed, the merger stream falls on a stack of dishes and pots reminiscent of what one might find in the sink of any house. The stream of tears never stops. Martínez presents a metaphorical, mystical world which resists a narrative and is elusive and open to one’s own interpretation.

 

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thumbnail Jan 30

Impact and Legacy: 50 Years of the CINTAS Foundation, at MDC Museum of Art + Design, Miami

April 25 – July 12, 2014

MDC Museum of Art + Design

600 Biscayne Blvd. – Miami, FL

The legacy of Oscar B. Cintas has fostered the development of Cuban artists outside of Cuba for the last 50 years, promoting the professional development of these artists and the continuity of Cuban traditions in art. The foresight Cintas has resulted in more than 300 fellowships and grants awarded to creative writers, architects, composers, visual artists and filmmakers, many of whom have later achieved national and international renown. The roster of Cintas fellows is a testament to the talent and creativity of the Cubans and their direct descendants who have lived outside the island since 1959. The Cintas Foundation is the oldest entity in the United States dedicated to the support of artists of the Cuban diaspora.

 

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thumbnail Jan 24

Agustín Fernández: Ultimate Surrealist, at American University Museum, Washington DC

January 25 to March 16, 2014

American University Museum
4400 Massachusetts Ave NW
Washington, DC 20016
 

Agustín Fernández is most recognizable for its ambiguous and precariously balanced forms, erotic overtones, surreal juxtapositions, and metallic palette. Inspired by the demands of survival in an urban environment and the mundane objects that clutter its alleys and streets. Agustín Fernández: Ultimate Surrealist is organized by the Agustín Fernández Foundation and curated by Donald Kuspit

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thumbnail Dec 18

Glexis Novoa, recipient of The Joan Mitchell Foundation 2013 Painters & Sculptors Grant

The Joan Mitchell Foundation announces the 2013 Painters & Sculptors Grant Recipients

December 13, 2013

New York, NY – The Joan Mitchell Foundation is pleased to announce the twenty-five recipients of the 2013 Painters & Sculptors Grant Program in the amount of $25,000 each.
The Painters & Sculptors Grant Program was established in 1993 to assist individual artists. The grants are given to acknowledge painters and sculptors creating work of exceptional quality.Nominators from across the country are invited to recommend artists, at any stage in their career, whom they feel deserve more recognition for their creative achievements and whose practice would significantly benefit from the grant. The candidates’ images were viewed for consideration through an anonymous process by a jury panel that convened this fall at the office of the Joan Mitchell Foundation. Nominators and jurors include prominent visual artists, curators, and art educators.
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thumbnail Dec 18

“Essential”, Ars Atelier City new series, celebrates the life and legacy of late Cuban master Ernesto Briel

Ernesto Briel: Celebrating the 70th Anniversary of the Birth of a Masterful Cuban Artist

As part of its new collection “Essential”, Ars Atelier City celebrates the life and legacy of late Cuban master Ernesto Briel [Havana, 1943- New York City, 1992] in 2013, the years that marks the 70th anniversary of the birthday of this “essential” presence in the contemporary Cuban visual arts.

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thumbnail Dec 18

Louisiana: Mon Amour-An exhibiton by Luis Cruz Azaceta at Acadiana Center for the Arts, Louisiana

November 9, 2013-February 8, 2014

Acadiana Center for the Arts
101 W. Vermilion St. Lafayette, Louisiana 70501
 

Luis Cruz Azaceta was born in Havana, Cuba in 1942 and currently lives and works in New Orleans, Louisiana. As a teenager he witnessed many acts of violence on the streets of Havana: bombs in stores, cinemas and theaters; shoot-outs, arrests and torture of citizens by Batista secret police. In 1959, the Cuban revolution brought jubilation and celebration when Castro promised to restore Cuba’s constitution and free elections. Months later executions began, businesses were confiscated and some closed. Azaceta’s experiences under both Batista and postrevolution impacted his vision—creating a sensitivity towards violence, human cruelty, injustice and alienation—which later become central themes in his work.

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thumbnail Nov 27

Zilia Sánchez, Ana Mendieta, Emilio Pérez – Galerie Lelong at Art Basel Miami Beach

December 5–8, 2013

Miami Beach Convention Center
1901 Convention Center Dr 
Miami Beach, FL 33139

Galerie Lelong New York and Paris will feature program highlights for Art Basel Miami Beach 2013 including work by new gallery artist Zilia Sánchez, a selection of pastels by Sean Scully in Art Kabinett, and a new outdoor sculpture by Ursula von Rydingsvard as part of Art Public. Having been one of the early supporters of Latin American art, Galerie Lelong will exhibit work of some of the region’s most vital figures including Alfredo Jaar, Cildo Meireles, Ana Mendieta, and Hélio Oiticica. Also on view will be artists spanning generations and continents including Petah Coyne, Günther Förg, Lin Tianmiao, David Nash, Emilio Perez, Jaume Plensa, Kate Shepherd, and Kiki Smith.

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thumbnail Nov 27

Julio Larraz. Coming Home at Ascaso Gallery, Miami

November 30, 2013 – February 27, 2014

Opening: Saturday, November 30, 6 – 9 pm

Wynwood Arts District
2441 NW 2nd Ave.
Miami, Fl. 33127

The exhibition Coming Home represents the first show of Larraz’s work in Miami for the last twenty-five years. The exhibition will feature several large paintings on canvas, including the 2013 oil paintings “Desplante”, “Coming Home”, and “Sunday on the Narragansett,” as well as many pastel and watercolors. Commenting on the occasion, Antonio Ascaso said, “With Miami becoming a world-class arts capital, it was time to honor one of its great artists. We felt strongly about the timing of Larraz’s career and the city’s tremendous steps forward in the arts.”

 

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thumbnail Nov 23

Hernan Bas in TIME at Bass Museum of Art, Miami Beach

November 2, 2013 – February 23, 2014

 
Bass Museum of Art
2100 Collins Avenue, 
Miami Beach, FL 33139
 

TIME presents a selection of historical and contemporary artworks, objects and artists’ projects that engage with ideas of time. Throughout history, philosophers and scientists have advanced new – sometimes conflicting – ideas regarding the nature and perception of time. Current thought on the subject based upon quantum physics is extremely complex. Nevertheless, our finite lifespan seems to have endowed us with an intuition of time, even if we have not considered its precise character. The concept of time enables us to live with a sense of order and regularity; to conceive of duration; past, present and future; and to maintain a sense of our place within this apparent continuum.

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thumbnail Nov 23

Abelardo Morell’s Outside In, at RoseGallery, Santa Monica, CA

November 23, 2013 – January 18, 2014

ROSEGALLERY
Bergamot Station Arts Center
2525 Michigan Ave.
Santa Monica, CA 90404
 

Over the past twenty-five years, Abelardo Morell has garnered international praise for photographs that render our everyday world a place of magic and wonder. He works with an intelligence that is neither glib nor obtuse, but rather grounded in an emotional sensitivity and unbounded intellectual curiosity, photographing the world as it is, delighting in the quite life….

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thumbnail Nov 23

“Twelve” at Jorge Mendez Gallery, Palm Springs, California

Friday, December 6th from 6-9pm

Jorge Mendez Gallery
756 North Palm Canyon Drive
Palm Springs, California

Artists:

Rafael Lopez-Ramos
Jorge Llamos Gonzalez
Benjamin Dominguez
David Correa
Claudia Mazzucchelli
Hugo Rivera
Miguel Angel Mendez
Roney Fundora
Dante Horoiwa
Lazer Fundora
Rafael Hayashi
Marianela de la Hoz
 
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thumbnail Nov 15

The Silent Shout: Voices in Cuban Abstraction 1950-2013 – Miami

Opening on November 1st from 6-10pm

 

ArtSpace Virginia Miller Galleries
169 Madeira Ave.
Coral Gables, FL 33134

“The Silent Shout” is the first exhibition outside Cuba featuring these groups of artists from different generations, including three artists being shown in Greater Miami for the first time. 

This exhibition provides an overview of these nine important abstract artists from Cuba, as well as a glimpse into that nation’s historically significant “10 Pintores Concretos” and “Los Once” groups.

One of the curators of Pinturas del Silencio—José Angel Vincench—is an artist whose work is included in The Silent Shout as well as being one of its three curators. Other artists whose paintings are included in The Silent Shout are Hugo Consuegra, Sandú Darié, Carlos García, Luis Enrique López, Raúl Martínez, Pedro de Oraá, José Rosabal, and Loló Soldevilla.

 

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thumbnail Nov 14

“Sympletic Structures” Exhibition Highlights the Work of Rafael Domenech

From November 8 through 17, 2013

 

NWSA@Artseen Gallery
2215 NW 2nd Avenue
Miami, FL 33127

Rafael Domenech, a visual arts college junior from New World School of the Arts, will exhibit his body of work in an exhibition entitled Symplectic Structures. His first solo show in Miami, it explores the process of deconstruction in an effort to arrive at the foundation of once recognizable objects. Working on numerous pieces, the monochromatic exhibition – which has taken over six months to complete – is comprised of three sculptures and 20 works on paper. Using found objects such as wood, tape and fluorescent lighting, the composition is harmoniously created and curated in an attempt to draw the viewer into an abstract world where shapes and forms intertwine, while moving in and out of the space they occupy in a rhythmic pattern that is both, arbitrary and coherent.

 

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thumbnail Nov 14

Andres Serrano And Three Other Artists Make Work About Death

October 31, 2013 by 

….

Andres Serrano has built a reputation creating imagery that is shocking and confronts the viewer with heavy content, unapologetically.  His series on death takes this to the next level. Each image, a close-up intimate composition of the deceased subject, is titled according to the cause of death.  The Death Series functions as a mirror of our own mortality, delivered rawly and beautifully in rich colors and blank stares.

 

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thumbnail Nov 10

Waltman Ortega Fine Art to Exhibit Works by Jorge Enrique During the Art Basel Week

November 9 – December 10, 2013

 

Waltman Ortega’s White Room
2233 N.W. 2nd Ave.
Miami, FL 33127

 

Waltman Ortega Fine Art gallery presents “Hybrid”, a solo exhibition of recent works by Jorge Enrique (USA/b. Cuba).

Tearing down the veil of the urban culture is Jorge Enrique’s leitmotiv. The Cuban-American artist resembles the contrasted city which has been inspiring him for over a decade – Miami – a true gateway of the Americas. For him, it is all about capturing the urban tension and then rendering his own recomposed vision. Considering himself a multimedia artist, he often blurs the lines between painting, sculpture, print-making and photography.

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