Tag : Cuban Art

thumbnail Nov 15

Glexis Novoa – Painting on Canvas, at Juan Ruiz Galeria, Miami

Thursday, 16 October, 2014 to Saturday, 22 November, 2014

JUAN RUIZ GALERÍA
301 NW 28th Street
Miami, Florida 33127

Painting on Canvas is Cuban artist’s Glexis Novoa’s first solo exhibition at Juan Ruiz Gallery, specifically noteworthy for the following two aspects:  the artist’s revisiting of an early period interrupted by exile in the mid 1990s and the context in which the work was created, Havana, where the artist recently set up a studio after a twenty-year hiatus.  Novoa’s return to the formal qualities of the Etapa Práctica [the Practical Stage] and to the specificity of the Cuban context reveals poignant aspects of contemporary Cuban art today and the artist’s place in it.

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thumbnail Nov 15

TRIBUTE: Luis Castaneda, Carlos Cardenes, and Roberto Koltun at Cuban American Phototheque Foundation, Miami

11/15/14 to 1/15/15

Opening: Saturday, Nov. 15 at 7pm

Cuban American Phototheque Foundation
4260 SW 74 Ave
Miami, FL 33155
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thumbnail Nov 10

Jairo Alfonso at Star Gallery, Guttenberg Arts, NJ

November 2014

Star Gallery
6903 Jackson St.
Guttenberg, NJ 07093

Guttenberg Arts is proud to present for the month of November the exhibition “568” featuring work by resident artist Jairo Alfonso.

The exhibition includes new work created during Alfonso’s Space and Time Artist Residency at Guttenberg Arts. The opening takes place on Friday, Nov. 7 from 7 to 9 p.m. with an artist talk at 8:30. The Star Gallery is located at 6903 Jackson St. in Guttenberg.

This exhibition will remain open for the month of November.

 

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thumbnail Sep 29

Angel Delgado: Uncomfortable Landscapes, at B&B Art Exchange, Santa Monica, CA

Opening Reception: Saturday October 11th, 6-9 pm

Curated by Marisa Caichiolo

Co-curated by Evelyn Pener

B&B Art Exchange
Bergamot Station Arts Center
2525 Michigan Ave., Unit F2
Santa Monica, CA 90404

 

“In his new series of paintings titled “Uncomfortable Landscapes” cuban artist Angel Delgado explores a theme constantly present throughout his work: the human condition and its relationship to the notions of freedom and identity. In this occasion, Delgado presents a series of paintings that far from the traditional idea of landscape, they constitute a view, indeed, but of rather a social panorama of what one would call modern societies. By juxtaposing everyday objects, aerial views of prisons and human silhouettes, the artist creates a composition that evokes a state of alienation. The individual seems utterly reduced to a series of social codes, to which he is, nevertheless, inextricably bonded.” (Patricia Ortega Miranda)

Artist webpage> http://www.angeldelgado.net

 

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thumbnail Sep 17

Armando Mariño in group show: GIANTS AMONG US, at CHG CIRCA, Culver City, CA

September 20 – October 4, 2014

Opening Reception:

Saturday, September 20,from 7-10PM

 

CHG CIRCA
8530-A Washington Boulevard
Culver City, CA 90232

Culver City (September 15, 2014): On Saturday, September 20, CHG Circa presents “Giants Among Us” a group show examining the role of the Giant in contemporary times. Modern day Giants prove to be more psychologi- cal than tangible in most cases, except perhaps when disguised as championship basketball centers or infamous wrestlers. Yet, since the very beginning of story-telling, giants have recurred as personalities to fear and respect, making mere humans feel small in their shadow, or humongous when the monster is overcome in battle. You’ll see today’s Giant depicted as fantasy, as emotion, even as edible.

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thumbnail Sep 14

Allora & Calzadilla: Fault Lines, at Gladstone Gallery, Chelsea, NY

September 13 – October 11, 2014

 

Gladstone Gallery
515 West 24th Street
New York, NY 10011
 

Gladstone Gallery is pleased to present a solo exhibition by Allora & Calzadilla. Fault Lines will explore the overlapping mechanics of polyphonic vocal texturing, geological and sculptural displacements, and adversarial rhetorical language in a new performance-based work, featuring an original composition by Guarionex Morales-Matos. The work will feature performances by young male vocalists from the American Boychoir School and the Transfiguration Boychoir. The performances will take place on the hour Tuesday through Friday from 1 – 5 pm with an additional performance at 5:30 pm, and Saturdays hourly from 12:30 – 5:30 pm.

Fault Lines
 consists of a group of ten stone sculptures whose formal vocabulary derives from geological faults – fractures or discontinuities in the Earth’s crust – and choral risers, a set of tall and wide steps used for standing while singing. While the mineral composition of the rocks in Fault Lines took millions of years to assemble, cutting, removing, and displacing sections of their hardened mass has caused an instant and ever-lasting rupture in geological time. The resulting sculptural permutations function as choral risers, which are dispersed throughout the exhibition space and used by two boy sopranos, or trebles, to engage in a verbal duel.

 

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thumbnail Sep 1

Alexandre Arrechea: The Map and The Fact at Magnan Metz Gallery, New York

September 13 – October 11, 2014

Artist Reception: Friday, September 12th 6-8 PM

Magnan Metz Gallery
521 West 26th Street,
New York, NY 10001

Magnan Metz Gallery is pleased to present the fifth solo exhibition for Alexandre Arrechea. The show will be on view from September 13 – October 11, 2014 with a reception for the artist from 6-8 pm on Friday, September 12th.

The often overlooked study and its relationship to the realized artwork have always been of significant importance to Alexandre Arrechea. The two co-existed in the same space; it’s the methodology that shows the natural process in creating the artwork. Traditionally the first stands as the matrix of the second. For this exhibition, however, Arrechea has turned the tables. The artist explains, “With The Map and the Fact I intend to rearrange this relationship with the objective to ask questions of our reality so the drawing in this project becomes a structure closer to the language of a map or a graphical representation of a given ‘territory’. The object is related to this simply through the construction of a section of that map.”

 

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thumbnail Aug 22

Jorge Rodriguez Gerada: National Portrait Gallery Commissions Cuban American Artist to Create a Large-Scale Landscape Portrait for the National Mall

The Smithsonian’s National Portrait Gallery has commissioned a grand landscape portrait from Cuban American urban artist, Jorge Rodríguez-Gerada, to be placed temporarily on the National Mall in October.

For the work titled “Out of Many, One,” the English translation of E pluribus unum, Rodríguez-Gerada will use several images of people photographed in Washington, D.C., to create a composite portrait that will not only be an interactive walk-through experience for visitors but will also be viewable from the newly reopened Washington Monument and from space. The work will be placed on a 10-acre site and stretch across 6 acres of land midway between the World War II and Lincoln memorials along the south side of the Reflecting Pool.

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thumbnail Aug 15

Acquiro 2 Art Walk at Cuban American Phototheque Foundation, Miami

Saturday, August 16, 2014

7pm

Cuban American Phototheque Foundation
The Bird Road Art District,
4260 SW 74 Ave,
Miami, Florida 33155

 

Curated by Carlos Mayol and Ivan Cañas

 

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thumbnail Aug 3

Maria Martinez-Cañas in group show “Portraiture Now: Staging the Self”, at The National Portrait Gallery, Washington, DC..

Aug. 22, 2014  through April 12, 2015

The National Portrait Gallery
Eighth and F Streets NW,
Washington, D.C. 20001

 
“Portraiture Now: Staging the Self” features the work of David Antonio Cruz, Carlee Fernandez, María Martínez-Cañas, Rachelle Mozman, Karen Miranda Rivadaneira, and Michael Vasquez, all artists of Latino background, who make us aware of how identities are constructed and negotiated via portraiture. Seeking to relieve portraiture of its charge to memorialize individuals and convey essential aspects of their identities, they use it instead to explore the ambiguities and changes in individual character. Theatricality is central to their inquiry, as they represent narratives remembered or imagined from their own family histories, or superimpose portraits of their loved ones over themselves, looking for what is shared or unique in individuality, searching like an actor for a character. As they present themselves in a staged manner, portraiture loses its aura of certainty, and becomes an evolving map for finding oneself and others.

Article on Art News

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thumbnail Jul 31

Panel Discussion on Cuban Art at NSU Museum of Art Fort Lauderdale

August 23, 2014 2:00PM – 4:00PM

Nova Southeastern University’s Museum of Art | Fort Lauderdale
One East Las Olas Blvd.
Fort Lauderdale, FL 33301

Panel Discussion on Cuban Art with Ramon Cernuda and Margarita Cano, moderated by Bonnie Clearwater, Director and Chief Curator, NSU Museum of Art Fort Lauderdale

Ramón Cernuda is a publisher, editor, writer, collector and internationally recognized expert on Cuban Art. After 30 years pursuing a lifelong love of Cuban art as a private art collector and researcher, he established Cernuda Arte gallery in 2000. He has been the publisher of La Gran Enciclopedia Martiana and a founding member of the Enciclopedia de Cuba Publishing Group. He was a member of the board of directors of the Cuban Museum of Arts and Culture and served as Vice President from 1987-1990.

Born in Havana, Cuba, artist and arts organizer Margarita Cano arrived in the United States in 1962. She worked at the Miami-Dade Public Library as a Community Relations and Art Services Coordinator. In 1983, she organized the landmark exhibition, The Miami Generation: Nine Cuban American Artists (curated by Giulio Blanc) for Miami’s Cuban Museum of Arts and Culture. In 1993, Cano began painting full-time and creating one-of-a-kind artist books. Her work is reminiscent of the illuminated manuscripts of the High Middle Ages, and her idealized landscapes of her beloved island serve as settings for the interaction of the sacred and the mundane.

 

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thumbnail Jul 28

Leyden Rodriguez-Casanova in NEW DIALOGUES: GROUP EXHIBITION, at Alejandra von Hartz Gallery, Miami

Until August 16, 2014

Alejandra Von Hartz Gallery
2630 NW 2nd Avenue
Miami, FL 33127

Alejandra von Hartz Gallery is pleased to announce its group summer exhibition: New Dialogues.

This is a curatorial exercise, work in progress, that will reflect on the resignificance of the work of art through dialogue, contextualization, association, and juxtaposition. Throughout the summer, selected works of the gallery’s artists will share the space creating situations that will generate or identify new perspectives.

The first round will include works by Marta ChilindronMatthew DelegetMarcolina DipierroJuan Pablo Garza,Pachi GiustinianLynne Golob GelfmanArtur LescherLori NozickLeyden Rodriguez-Casanova, and Sam Winston.

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thumbnail Jul 28

Leonel Matheu: Crossroads of the Dystopia at The Frost Art Museum, Miami

JULY 12 – SEPTEMBER 14, 2014

The Patricia & Phillip Frost Art Museum
10975 SW 17th Street
Miami, FL, 33199

Cuban-born artist Leonel Matheu has been a prominent figure on the national and international arts scene for over twenty years. Crossroads of the Dystopia is Matheu’s first major survey exhibition. His works range from colored pencil drawings, ink on paper, oil on canvas, to video, multimedia and public installations. Curated by Janet Batet, the exhibition presents more than 20 years of work and provides a comprehensive overview of Matheu’s most distinctive imagery. In describing his body of work, curator Batet says: “If a single symbol could summarize the iconic work of Leonel Matheu, it would be the enigmatic head-a sort of dome-that appears as a constant throughout his work. It serves as a self-portrait and collective portrayal of a nation marked by diaspora and dystopia. This symbol embodies the symptoms and stigma of contemporary global society. With a masterful use of the synthetic graphic design language, Matheu builds up a personal and yet universal iconography that he interweaves in intimate fables of our daily existence. Spirituality, technology, passion, solitude, dreams, chimeras, and deceptions are at the core of his thoughtful body of work.”

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thumbnail Jul 22

Short Story: group show at Juan Ruiz Gallery, Miami

Thursday, 24 July, 2014 to Saturday, 20 September, 2014

Juan Ruiz Gallery
301 NW 28th Street
Miami, Florida 33127

Short Story includes eleven Miami-based artists curated by artist Rubén Torres Llorca. The name of the exhibition comes from the small format of all pieces in the show. Each piece has its own short story told by its respective artist.

The following artists are featured in Short Story:

Esteban Blanco
Pip Brant
Carol K. Brown
Randy Burman
Liliam Domínguez
Kathleen Hudspeth
Mary Larsen
Rogelio López-Marín
Rafael López-Ramos
Rubén Torres-Llorca
Lucy de la Vega

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thumbnail Jul 3

Impact and Legacy: CINTAS exhibit in Miami celebrates the art of exile

Through July 12, 2014

MDC Museum of Art + Design,
Freedom Tower at Miami Dade College,
600 Biscayne Blvd., Miami

Impact and Legacy, the CINTAS Foundation’s 50th-anniversary exhibition celebrating the work of Cuban artists in exile, is a clear validation of the foundation’s success. The sweeping exhibition features the work of CINTAS fellows and honors the foundation’s benefactor, Oscar B. Cintas, a Cuban industrialist, arts patron and U.S. ambassador, who died in 1957. His estate funds annual visual arts fellowships for artists of Cuban heritage living outside the island and gives awards, too, in music composition, architecture and creative writing.

Among them is Anthony Goicolea, whose work is included in this year’s show.

From The Miami Herald

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thumbnail Jun 29

Diango Hernandez in “Bringing Light into a Windowless Room” at Capitain Petzel, Berlin

June 26 – July 31, 2014

Capitain Petzel  
Karl-Marx-Allee 45  
10178 Berlin

Diango Hernández, Matt Mullican, Christopher Williams

 

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thumbnail Jun 20

“Women at the Edge of an Island”, at Aluna Art Foundation, Miami

June 26 – August 8, 2014

Opening reception: Thursday, June 26, 2014 at 5:00 pm.

Aluna Art Foundation
172 B West Flagler Street

Miami, Florida 33130

The Cuban Museum, Inc. and the Aluna Art Foundation are proud to announce the upcoming exhibition Women on the Edge of an Island / Mujeres al borde de una isla, a group show that includes 23 visual artists from the Cuban Diaspora who explore through art the complex realities of displacement, biculturalism, separation, national identity, and personal and family upheaval that results from the experience of migration and exile.

This program is part of the Cuban Museum’s Sweet Home Museo Cubano Series, made possible by an Arts Challenge Grant from the John S. and James L. Knight Foundation; the Miami Dade County Department of Cultural Affairs, Board of County Commissioners of Miami-Dade; and additional support from Bank of America, Memorial Plan, ArtesMiami, and Friends of the Museum.

The show has been curated by Jesús Rosado and Ileana Fuentes and represents a collaborative effort with the Aluna Art Foundation. The exhibition opens on Thursday, June 26, 2014 with an opening reception at 5:00 pm.

Included in the exhibition are Miami-based artists María Brito; Margarita Cano; Consuelo Castañeda; Elizabeth Cerejido; Liliam Cuenca; Ana Albertina Delgado; Demi; Liliam Domínguez; Ivonne Ferrer; Nereida García-Ferraz; Laura Luna; María Martínez-Cañas and Angela Valella. They are joined by Spain-based Lien Carrazana; Ana Ferrer and Gladys Triana from New York; Rosa Irigoyen, from Puerto Rico; Elizabeth Mesa-Gaido, from Kentucky; María Lino and Silvia Lizama from Hollywood, Florida; Boca Ratón-based Juana Valdés; Clara Morera, from North Carolina; and Lydia Rubio, presently residing in Colombia.

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thumbnail Jun 18

Rolando Pulido, NEW CUBAN POSTER ART: UNVEILING THE UNCONSCIONABLE, at M. Castedo Gallery, NY

 

Friday, June 20, 2014, 6 pm to 9 pm

M. Castedo Gallery
29 West 36th Street, NYC
10th Floor

FREE ADMISSION

RSVP at:  cccofny@aol.com

A unique exhibit of contemporary Cuban poster art by one of its leading exponents, Rolando Pulido, who has selflessly dedicated his talent to support the burgeoning civic resistance movement on the Island. Although within the stylistic continuum of the anti-capitalist poster art that emerged during the first decade of the Cuban revolution—including Alberto Korda’s universally recognized image of Che Guevara—post-revolution poster art, such as Pulido’s, has met a drastically divergent course. The former, as Susan Sontag would point out in her incisive 1970 introduction to “The Art of Revolution,” became a commodity itself. Pulido’s posters, on the other hand, are as technically brilliant and as focused on communication as the best representatives of the genre, yet cannot be defined as coveted consumer art. The distinguished journalist David Rieff will place Pulido’s posters in historical context, addressing the extent to which current cultural trends and renewed political awareness might begin to blot out their marginality.

Award-winning visual artist Rolando Pulido was born and raised in Cienfuegos, Cuba, and has resided in New York City since 1980.

 

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thumbnail Jun 17

Cuban-American artist Jorge Pardo opens exhibition in the Augustins Museum in Toulouse

TOULOUSE.- The unique collection of 12th-century Romanesque capitals held at the Musée des Augustins is one of the great cultural treasures of Toulouse. Internationally renowned for his work at the frontiers of art, design and architecture, Jorge Pardo has been invited to rethink the display of this exceptional collection. His installation will remain in place until the 2016 festival.

By turns a painter, designer, architect and display specialist, Jorge Pardo made just about everything he lives with – the furniture, the lamps, his studio, his house. His intensely colourful work seems to flow continuously from one founding impulsion. For going on twenty years he has tirelessly rethought and questioned aesthetic categories and hierarchies, drawing on the ambiguity of a system in which art is constantly undermined and the functional nearly always de-habilitated.

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thumbnail Jun 9

SCHOOL OF NIGHT: Arturo Rodríguez at the Frost Art Museum, Miami

June 18 – August 24, 2014

The Patricia & Phillip Frost Art Museum
10975 SW 17th Street
Miami, FL, 33199

School of Night features works on paper by artist Arturo Rodríguez. The drawings are inspired by the personal experience of the artist, who feels that between mid-night and dawn his surroundings acquire different dimensions. The School of Night project is actually a collaboration with nine poets whose verses are based in his drawings and together form a book, which will be launched with the exhibition. Curated by Juan A. Martínez.

 

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thumbnail Jun 6

The Miami Generation: Revisited, at NSU Museum of Art Fort Lauderdale, Florida

July 13 – September 21, 2014

Nova Southeastern University’s Museum of Art | Fort Lauderdale
One East Las Olas Blvd.
Fort Lauderdale, FL 33301

In 1983, Miami’s former Cuban Museum of Arts and Culture presented the groundbreaking exhibition The Miami Generation, which represented a pivotal moment in South Florida’s cultural history and brought together for the first time nine emerging artists from Miami’s Cuban exile community who were part of a first generation that received its artistic education in the United States. Now, more than 30 years later, NSU Museum of Art Fort Lauderdale picks up where this exhibition left off, with The Miami Generation:Revisited, a new exhibition featuring works created since 1983 by the original nine artists: Mario Bencomo, María Brito, Humberto Calzada, Pablo Cano, Emilio Falero, Fernando García, Juan González, Carlos Maciá, and César Trasobares. Works on view address the issues of exclusion, inclusion, and sexual identity politics that those in the original show explored, as well as demonstrate the variety of materials the artists use and how their styles and interests have evolved. The exhibition also reveals how each artist has synthesized the dynamics of native and adopted cultural forces to convey their feelings, dreams, and aspirations. These artists were part of a thriving art community in the early 1980s that contributed to the emergence of South Florida as a hub for international art and culture. The exhibition also highlights NSU Museum of Art’s strong commitment to Latin American Art, which includes a large collection of work by Cuban artists and the Stanley and Pearl Goodman Latin American Art Research Center which will launch in 2015.

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thumbnail Jun 6

Elio Rodriguez in group show ALL TOGETHER NOW!, at Breese Little gallery, London

July 10 – August 9, 2014

Private View: Wednesday, July 9, 6 – 9 pm

 
Breese Little 
30b Great Sutton Street,
London, EC1V ODU
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thumbnail Jun 5

“Scaping Back”: Exhibition of Works by Artist Ramón Williams at Farside Gallery, Miami

On View June 6 through July 27, 2014

Opening Reception: Saturday, June 7, 7 to 9 p.m.

Farside Gallery
1305 SW 87th Avenue,
Miami, FL 33174

Ramón Williams was born in Havana, Cuba is 1969. He graduated from the Instituto Superior pedagógico in La Habana with a MasterDegree in Visual Arts in 1992. Between spring and summer of 1996, Ramón Williams exhibited in Havana two groups of paintings: Imágenes de la enciclopedia and La mar estuvo serena. By the end of the same year Williams emigrated to Miami, Florida. Living and working in this city during the last eighteen years, his artistic endeavors yielded to the exploration in the realms of photography,video and computer animation. Walls and contentions barriers all over the city have been subject to a sort of poetic CSI lens in Williams’s hands, where spontaneous perception and dedicated capture of traces interweaves with his skills for computer generated imagery, and his fondness for oriental calligraphy, stream of consciousness writers …and some psychiatry lab tests. As a comeback to the days of pigments (somehow aconsequence and turnaround of the lens, the image in movement, and the 3D world), Scaping Back titles a selection of Ramon Williams recent Miami roadscape paintings that will be exhibited at Farside Gallery on June 7th, 2014, for the first time in the USA.

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thumbnail Jun 4

AFTER THE EMBRACE, intaglio prints by Cuban Master Printer Agustín Rolando Rojas at UNPACK STUDIO, Toronto, Canada

June 6 – July 9, 2014

Opening & Artist Talk: Friday June 6th, 7 pm to 9 pm.

UNPACK STUDIO
11 Willison Square
Toronto, Ontario M5T 1E8

The exhibition will be paired with a catalogue with essays written by curator Maria Elena Soto and artist Eugenio D’Melon.

Agustín Rolando Rojas is a mid-career artist who lives and works in Toronto, Canada. Rojas earned a BFA from San Alejandro Fine Art School (1978) and graduated from the prestigious Instituto Superior de Artes (ISA 1983) in Havana with a degree in Printmaking.

Questioning the stereotype of printmakers as solely followers of traditions and procedures, Agustín masters technique to the point of contradicting it. In his series of drypoints (drypoints without inhibition), he attacks the plates, then erases the marks and re-works the matrixes as if they were pieces of paper. Technically, his artwork operates as a continuous exercise of questioning beliefs about printmaking. Conceptually, it is a direct result of his diasporic experience as a migrant. His work explores the idea of loss and separation, reunion and hope as a permanent condition of displacement and adaptation.

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thumbnail Jun 2

Diango Hernandez in group show NEW PAINTINGS, at Alexander and Bonin Gallery, NY

June 3, 2014 – July 25, 2014

Alexander and Bonin
132 Tenth Avenue
New York, NY 10011

Our summer show includes paintings by five gallery artists: Matthew Benedict, Robert Bordo, Diango Hernández, Stefan Kürten and Sylvia Plimack Mangold. Most of the paintings in the exhibition are being exhibited for the first time.

Press Release

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thumbnail May 28

Angel Delgado, “Constancy”, at Amanda Harris Gallery of Contemporary Art, Las Vegas

Opening Reception and Documentary Screening: Saturday, June 14, 6:00 p.m. -8:00 p.m.

Amanda Harris Gallery of Contemporary Art,
900 S. Las Vegas Blvd. #150,
Las Vegas, NV 89101.

Las Vegas based artist Angel Delgado will present a new series of painting, drawings and installations in a solo exhibition titled “Constancy”. The work of Delgado is largely based on the limitations, restrictions, prohibitions and controls that you are constantly imposed on human beings in society. Through keen observation of the everyday and the ordinary, Delgado is trying to transform those objects or situations that are the daily step in photographs, drawings, videos, paintings, installations and performance, with a poetic that makes us reflect on our lives, about social processes or on the same processes of artistic creation.

Delgado has shown his work internationally for over 15 years, including solo shows in Havana, Madrid, Mexico City, Puerto Vallarta, Istanbul, New Orleans, Los Angeles and Pittsburgh.

Artist’s webpage

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thumbnail May 16

Cuban artist Arnolkis Turro in group show RENOVACIÓN DE LAS ESENCIAS, at Alianza Francesa de Managua, Nicaragua

Opening: May 14, 2014 – 7pm

Alianza Francesa
Planes de Altamira
Embajada de México
1/2 c. al Norte

Artists:

Arnolkis Turro
Sergio Velasquez
Leonel Cerrato
Julio Quintero

In Spanish

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thumbnail May 8

Reverse: rewriting culture. Curated by Janet Batet. Group Exhibit

May 8th – July 5th, 2014

Opening Reception | Thursday, May 8th | 7 PM – 10PM

Dot Fiftyone Gallery
187 NW 27 Street 
Wynwood Arts District, Miami FL 33127

Artists:

Consuelo Castaneda, David Rohn , Eduardo Rivera Salvatierra, Fernando Bayona González, Fernando García, Jonathan Wahl, Juan Pablo Ballester and Nereida Garcia-Ferráz

Reverse: Rewriting culture seeks to review the body of work of contemporary gay artists that freed from any fig leaf are proposing a horizontal reading about gender, sexuality, social concerns, and ontological issues.

This exhibition is the first edition of the ambitious project “ONE WAY”, that in each edition will call a group of artists whose sexual orientation does not correspond to the dominant stereotype of heterosexuality, neither with the wild spread misconception that reduce the production of gay artists to homoerotic contents.

Reverse: Rewriting culture seeks to avoid incurring two extended stereotypes and therefore errors that dominate the approach to this kind of production that include, but are not limited to the following misconceptions: Concealment or silencing of sexual orientation of the author, or by the contrary, Confinement and reduction to the mere erotic commentary that silences or minimizes the social implications that motivates these works placing them away from general social channel where definitely belong these proposals.

 

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thumbnail Apr 27

Armando Mariño: New Paintings after the Long Winter, at 532 Gallery Thomas Jaeckel, NY

May 6 – June 7, 2014

Vernissage Tuesday, May 6, from 6 – 8pm

532 Gallery Thomas Jaeckel
532 West 25th Street
New York, NY 10001
 
 
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thumbnail Apr 25

Zilia Sánchez “Heróicas Eróticas en Nueva York,” at GALERIE LELONG, New York

May 3, 2014 – June 21, 2014

Opening reception: Friday, May 2, 6-8pm

Galerie Lelong
528 West 26th Street
New York, NY 10001
 

Galerie Lelong is pleased to present its first solo exhibition with Cuban-born artist Zilia Sánchez, Heróicas Eróticas en Nueva York. As a global citizen who has lived in Cuba, Spain, New York, and now Puerto Rico, Sánchez’s hybridized shaped canvases unite the painterly and the sculptural, the formal and the psychological, and the masculine and the feminine. Only the second exhibition of Sánchez’s work in New York in over thirty years, Heróicas Eróticas en Nueva York comprises paintings made in the artist’s signature technique of stretching canvas over hand-molded wooden armatures, and spans fifty years of production. Many of the works on view have never been seen outside of Sánchez’s adopted home of Puerto Rico. The artist will be present for the opening on Friday, May 2 from 6-8pm.

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