Mar 31
published in Exhibits - Past
tags : cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, Kelley Roy Gallery, Miami, New York City, Pablo Cano, Rubin Museum Of Art, San Alejandro Art Academy
Miami, FL
March 12 – May 7, 2011
Kelley Roy Gallery
50 NE 29th St.
Miami, FL 33137
The Kelley Roy Gallery will host its second solo exhibition of art works by Pablo Cano, the internationally recognized performance artist, painter, sculptor, ceramist and master puppeteer. This exhibition coinciding with Cano’s 50th birthday will feature three different surveys of Cano’s work starting with a collection of his early drawings including “Juanita” created in 1982.
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Mar 16
published in Articles
tags : Abelardo Mena, African Slaves, Alberto Barral, Alberto Magnan, Alejandro Lazo, Alex Rosenberg, Alicia Leal, Carlos Estevez, Chinese Laborers, Contemporary Cuban Art, Cuba, Cuban Art, Cuban Avant Garde, Cuban Culture, Cuban Embargo, Cuban Hip Hop, Donald And Shelley Rubin, Donald Rubin, Dr. Gail Gelburd, Elsa Mora, Fundacion Amistad, Global Citizens, huffington post, Instituto Superior De Arte, New York City, Oglethorpe University, Oglethorpe University Museum Of Art, Rubin Museum Of Art, San Alejandro Art Academy Havana, Shelley And Donald Rubin, Shelley Rubin, Spanish Colonials, Style News, Thought Leaders, Tibetan Art, Yamilys Brito, Zaida Del Rio, ¿What Is Cuban Art?
The Rubin’s are the new kids on the block of Cuban Art. They have amassed a large collection of Contemporary Cuban Art from both inside and outside the island. This essay wash published recently in the Huffington Post.
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Mar 12
published in Articles
tags : Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, maria magdalena campos pons, New York City, Rubin Museum Of Art, San Alejandro Art Academy
As a Cuban born artist, the embodied cognition that shapes the art practice of Maria Magdalena Campos-Pons is her deep cultural connections. For Pons, inquiry into cultural histories involves dealing with the way her black heritage is represented and the realization that “the history that I have access to is the history that is told through a voice that is not necessarily of the black people” (interview with the author, 1996). In investigating these historical dislocations Pons uses the body as a window through which to explore autobiographical aspects of the past.
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Mar 12
published in Exhibits - Past
tags : art, Cuba, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, Mario Bencomo, New York City, Rubin Museum Of Art, San Alejandro Art Academy
The Americas Collection
Exhibit of Mario Bencomo’s recent work.
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Mar 5
published in Exhibits - Past
tags : art, Atalnta artist, Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, Mario Petrirena, New York City, Rubin Museum Of Art, San Alejandro Art Academy
Collage two ways: Mario Petrirena and Daniel Biddy
Artists Mario Petrirena and Daniel Biddy are currently showing collages at Sandler Hudson Gallery and Barbara Archer Gallery, respectively.
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Mar 4
published in Video
tags : 80's generation, Bedia, Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, josé bedia, New York City, Rubin Museum Of Art, San Alejandro Art Academy
In Spanish
Artist Jose Bedia presents his exhibit RE-Corrido in the GE Gallery in Monterey Mexico.
To view video click Read More
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Mar 4
published in Exhibits - Past
tags : Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, New York City, Ofill Echevarria, Rubin Museum Of Art, San Alejandro Art Academy
Represented by Ginocchio Galeria
Arquímedes 175
Polanco. 11570, Mexico, D.F.
tel 52 55 5254 8813
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Mar 4
published in Books
tags : art, Arturo Cuenca, Carlos Estevez, Carlos Rodriguez Cardenas, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Gustavo Acosta, Instituto Superior De Arte, ISA, Luis Cruz Azaceta, New York City, Ruben Torres Llorca, Rubin Museum Of Art, San Alejandro Art Academy
An encyclopaedic view of Cuban Art.
Published by California International Arts Foundation
By: Jose Veigas,
Cristina Vives,
Adolfo V. Nodal,
Valia Garzón
Dannys Montes de Oca
To order: [ Amazon ]
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Mar 2
published in Exhibits - Past
tags : Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Humberto Castro, Instituto Superior De Arte, ISA, New York City, Rubin Museum Of Art, San Alejandro Art Academy
Various exhibits at Virginia Miller Galleries
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Mar 2
published in Exhibits - Past
tags : art, Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, New York City, Praxis international, Ruben Torres Llorca, Rubin Museum Of Art, San Alejandro Art Academy
Solo Show 2009
Praxis international is proud to present “Los peores hombres cuentan las mejores historias”…The worst men tell the best stories.
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Mar 1
published in Articles
tags : Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Francis Acea, Instituto Superior De Arte, ISA, Miami Art Guide, New York City, Ramon Williams, Rubin Museum Of Art, San Alejandro Art Academy
Miami Art Guide Magazine
By Francis Acea
Ramón Williams is an artist that shows little concern about boundaries. Formed as an art educator, his perception of art is undermined by a sense of integrality that allows him to move from one art discipline to another without giving too much importance to the medium.
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Feb 28
published in Exhibits - Past
tags : 80's generation, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Fresno Art Museum, Instituto Superior De Arte, ISA, josé bedia, New York City, Rubin Museum Of Art, San Alejandro Art Academy
Fresno, CA
January 21 - April 18, 2011
FresnoArt Museum
2233 North First Street
Fresno, CA 93703
559 441 4221
Thought-provoking. Challenging. Diverse.
These are just a few words that describe The Human Touch: Selections from the RBC Wealth Management Art Collection. The title refers to both the ability of the figure to reflect the human condition and to the facility of artists to depict it.
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Feb 27
published in Articles
tags : 80's generation, Chelsea Gallery, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Design district, Gory, Instituto Superior De Arte, Irina Leyva-Perez, ISA, Miami, New York City, Rogelio Lopez Marin, Rubin Museum Of Art, San Alejandro Art Academy
By Irina Leyva-Pérez
On April 8, the Design District’s Chelsea Gallery opened the show “A Small Retrospective” with works by Cuban photographer Rogelio López Marín (1953), known as Gory. Gory’s work in photography since the 1980s situates him among the most important Cuban artists of his generation. This period of great intensity in Cuban visual arts has been dubbed by critics as the “Cuban Renaissance,” being a kind of flowering of art after a somber decade.
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Jan 13
published in Articles
tags : art, Arte al Dia, Cuba, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, Julia Herzberg, Museo del Barrio, New York, New York City, Praxis international, Ruben Torres Llorca, Rubin Museum Of Art, San Alejandro Art Academy
Arte Al Dia International Online
Wednesday March 31, 2010
Praxis International Art by Julia P. Herzberg
So Quiet in Here was a memorable installation by Rubén Torres Llorca at El Museo del Barrio in New York in 1998. It was a parodic recreation of a historical account dating from Belgium’s colonial era that involved the Geographic Society of Brussels and an African family that was living inside the zoo in Brussels for a period of time before they quietly disappeared.
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Jan 12
published in Articles
tags : 80's generation, art, Cuba, Cuban Art, Cuban Avante Garde, Cuban Culture, Gustavo Acosta, Instituto Superior De Arte, Irina Leyva-Perez, ISA, New York City, Rubin Museum Of Art, San Alejandro Art Academy
By Irina Leyva-Pérez
If we look back at Gustavo’s oeuvre over a span of twenty years, we can easily recognize that he has been interested in social expressions of power. In the 1980s, when his work started receiving attention, he was using metaphors of Roman architecture as a reference to the Cuban social system. The dark, gray and muted colors were intentionally placed to reinforce the atmosphere of oppression that he wanted to convey. By representing some of the most recognizable buildings in Roman architecture, he drew a subtle parallel between the Imperial Roman and Cuban dictatorships.
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Jan 12
published in Articles
tags : art, Carlos Estevez, Cuba, Cuban Art, Cuban Avante Garde, Cuban Culture, Gory, Instituto Superior De Arte, ISA, Miami, New York City, Pan American Art Projects, Rubin Museum Of Art, San Alejandro Art Academy
The mystery of migrations is the title of Carlos Estévez’s new solo exhibition of paintings. As the title indicates, Carlos is exploring the process of migrations, philosophically, existentially and physically.
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Jan 11
published in Articles
tags : 80's generation, art, Carlos R. Cardenas, Carlos Rodriguez Cardenas, Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, New York City, Rubin Museum Of Art
Nkisi Project – Miami By Rafael López-Ramos
Coinciding with the Art Basel Miami Beach fair, Carlos Rodríguez Cárdenas presented his personal show The Journey of the Conquest at the Nkisi Project space, curated by Bernardo Navarro with the collaboration of José Bedia. Since the mid-1980’s, Cárdenas’ work has been characterized by exquisite and ironic artistry, which has served him as much in representing the eschatological and social themes he exhibited at the 1989 Havana Biennial; as in capturing the tranquil urban and architectonic reflections that he now presents to us.
See Wikipedia
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Jan 11
published in Articles
tags : 80's generation, art, Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, essay, Gustavo Acosta, Instituto Superior De Arte, ISA, New York City, Rubin Museum Of Art, San Alejandro Art Academy
Article appeared in Art Pulse Magazine 2009 “To soar” involves breeching the wall of the mundane to internalize, perhaps, the purest essence of our reality. Then, from above, startled by so much finiteness, we prepare for that voyage of yearning toward the city from whence we came and toward which we travel, there where stories are interconnected and new paths, journeys, and narrations are configured
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